For many of us stuck here in the grey fastness of a London winter, a visit to the 2019 Pierre Bonnard exhibition has brought some welcome relief.
P W Bridgman confesses himself pleasantly surprised by an unorthodox combination of poetry collection and murder mystery: he promises however that his review contains no spoilers.
Isabelle Kenyon reviews a collection by Michelle Diaz which combines painful honesty with a sense of hopefulness
The over-arching title of this eight-volume novel brings to mind the Rougon-Macquart. The comparison is apposite because while Zola structures his series around his faith in biological determinism, Dent’s novel dismisses it as a delusion.
Peter Ualrig Kennedy finds a lovely Irish wit and an evocative sense of place in Tim Cunningham’s latest collection.
James Roderick Burns considers a new collection by Gale Burns and wonders if it is possible for poets to set themselves too high a standard
Of all the Miller revivals currently doing the capital’s round, ‘The American Clock’ is not the softest option for any director, actor or audience to take on. Part social documentary, part human drama, part political commentary, it can feel at times like it has bitten off more vision and message than it can theatrically deliver.
Two hundred unique artistic creations by Christian Dior and his successors are featured at the V&A exhibition.
By Carla Scarano • design, exhibitions, fashion, year 2019 • Tags: Carla Scarano, design, exhibitions, fashion