Poetry Review – Heart Murmur: Thomas Ovans enjoys Emma Storr’s use of medical language to make well-crafted and engaging poetry.
Poetry Review – Tigress: Neil Fulwood is particularly impressed by the exquisite turns of phrase in Jessica Mookherjee’s poetry
The theatrical brilliance of Endgame is thrown into relief by Jones’ decision to precede it with the rarely performed Rough for Theatre II, which Beckett is believed to have written around the same time as Endgame in the late 50s.
Poetry review – The Tipping line: John Forth finds that Paul Maddern’s collection is far less daunting than its unusual form might suggest
Poetry Review – The Aesthetics of Breath: Pat Edwards finds rewards in the unfamiliar perspectives from which Charles Lauder’s poetry is written.
Small press publishing: Emma Lee assesses a useful beginner’s guide by Isabelle Kenyon
Tomar and the Knights Templar, Portugal. Under vows of holiness, poverty and chivalry, the Order of the Knights Templar, founded around 1120 to protect pilgrims to the Holy Land, achieved much else besides.
Poetry review – The Air Year: Pat Edwards admires the vivid individuality of Caroline Bird’s poetry
Stage Invasion: Angela Topping takes a close look at Pete Bearder’s guide to spoken word poetry and its differences from poetry for the page
Jason Kravits’ cabaret at Crazy Coqs is wildly funny. This singer-entertainer is so dynamic that I would suggest he be prescribed for those with the blues.
In Translation: an exhibition of poetry by Katherine Venn at the Westbourne Grove Church ArtSpace
Poetry Review – Jim Neat: Stuart Henson appreciates the challenges of constructing fact-based poetry such as Mary J Oliver’s biography of her father
By Michael Bartholomew-Biggs • books, history, poetry reviews, travel, year 2020 • Tags: books, history, poetry, Stuart Henson, travel