Peter Ualrig Kennedy finds a lovely Irish wit and an evocative sense of place in Tim Cunninghamâs latest collection.
Feathers
Tim Cunningham
Revival Press
ISBN 978-1-9164199-0-2
85pp ÂŁ10.00
Tim Cunninghamâs Feathers sets an affectionate tone from the start, in âBagatelleâ and âWagtailâ. A strong sense of place is felt in âA Language of Waterâ; the poet is recognisably in Ireland, and his lexicon is nature:
Gingerly, we waded in the Shannon Fieldsâ
Water words, its vocabulary
Of rushes, reeds, horseflies;
The braille of pebbles and stones.
The linking of pebbles and of braille is charmingly tactile. These poems are celebratory of Cunninghamâs Irish roots and childhood, and of his happy relationships: in âThe Raceâ we will realise from later poems that he speaks of his sister.
Skipping, your feet barely touched the street;
Your peppers impossible to count.
But who is it who comes to his mind in âWhere it Happenedâ, where the Clare Hills unroll their backdrop? It is a mystery, and whatever did happen itself remains a mystery:
Here where our shadows danced
On the floodlit wall.
Yes, this is where it happened.
What happened, I cannot now remember.
But yes, here. It definitely happened here.
The sinewy strength of that poem continues in âPietasâ â not now in Clare or Limerick, but in Dublin: âWe do hunger well.â A shrewd threnody in which Cunningham recites a bitter roll call of the martyred leaders of the Easter Rising, the dreamers who âsaw a blessed sun shine / on future meadowsâ âŠ
Where children would play and butterflies flutter,
Where the rose would burn its sanctuary lamp
And the Easter lilyâs fervent flame
Would never be extinguished.
After this powerful polemic, we turn to the beauty of the Curragower Falls. Here is the final stanza:
On holiday from Heaven
I will definitely
Return here.
A pretty conceit. Cunninghamâs verse is full of places and real things, sprinkled with a wry imagination. In âHigh Maintenanceâ:
What demi-god directs the salmonsâ traffic
And alerts the bear to the waterfall,
Tells the daffodil it is almost spring
One may perceive this as fanciful musing â however in âThe Voice of the Turtle Doveâ Cunningham quickly puts paid to that old deceiver, religion; (It seems that in this respect Tim Cunningham is in bed with John Lennon):
And lo! Suddenly religion was no more.
And with that, the corollary
Of an end to violence and war.
Some changes of scene now. After a brief flirtation in âThe Music Menuâ â âHis starter was a Bach cantata / Hers a Chopin etudeâ â there follows a subtle alteration of tone, as Death tiptoes in as light as the Feathers of the collectionâs title. In âOld Flameâ:
In the Lady chapel,
I try to light a candle
To your memory.
âBeyond the Woodsâ is worth quoting in its entirety:
When I am gone, I will leave
A Hansel and Gretel trail
Across the stepping-stone stars.
Follow them. Find me.
Or how can that place
Be called heaven?
That clutches at the heart. A procession of serious poems comes next; however I shall leap forward to the light mockery of âExamining the Entrailsâ where: âThe old man on the hilltop / looked down on the meadow of his youthâ which too struck a chord. Then âFeathersâ is the title poem and it is a beauty; here is the opening stanza:
He found a thrushâs feather,
Dipped it in a meadow
And penned a sonnet.
âThree Windowsâ, a poem of sadness and loss, brings a prickle of tears to the eye; and âEggs in a Wicker Basketâ must concern his late sister:
Now that you have gone,
Spilled like eggs from a basket,
Falling in slow motion,
Losing orbit,
The yolks not yellow but blood.
And lastly, to complete this treasury of verse, the final lines of âMayflyâ:
So brilliant this briefest
Span between incarnations
Where the dance of life
And the dance of death are one.
The thing about Tim Cunninghamâs poems is that below the surface there lies always a shimmering truth. It has been a real pleasure for me to review this remarkable collection.
London Grip Poetry Review – Tim Cunningham
February 21, 2019 by Michael Bartholomew-Biggs • books, poetry reviews, year 2019 • Tags: books, Peter Ualrig Kennedy, poetry • 0 Comments
Peter Ualrig Kennedy finds a lovely Irish wit and an evocative sense of place in Tim Cunninghamâs latest collection.
Tim Cunninghamâs Feathers sets an affectionate tone from the start, in âBagatelleâ and âWagtailâ. A strong sense of place is felt in âA Language of Waterâ; the poet is recognisably in Ireland, and his lexicon is nature:
The linking of pebbles and of braille is charmingly tactile. These poems are celebratory of Cunninghamâs Irish roots and childhood, and of his happy relationships: in âThe Raceâ we will realise from later poems that he speaks of his sister.
But who is it who comes to his mind in âWhere it Happenedâ, where the Clare Hills unroll their backdrop? It is a mystery, and whatever did happen itself remains a mystery:
The sinewy strength of that poem continues in âPietasâ â not now in Clare or Limerick, but in Dublin: âWe do hunger well.â A shrewd threnody in which Cunningham recites a bitter roll call of the martyred leaders of the Easter Rising, the dreamers who âsaw a blessed sun shine / on future meadowsâ âŠ
After this powerful polemic, we turn to the beauty of the Curragower Falls. Here is the final stanza:
A pretty conceit. Cunninghamâs verse is full of places and real things, sprinkled with a wry imagination. In âHigh Maintenanceâ:
What demi-god directs the salmonsâ traffic And alerts the bear to the waterfall, Tells the daffodil it is almost springOne may perceive this as fanciful musing â however in âThe Voice of the Turtle Doveâ Cunningham quickly puts paid to that old deceiver, religion; (It seems that in this respect Tim Cunningham is in bed with John Lennon):
Some changes of scene now. After a brief flirtation in âThe Music Menuâ â âHis starter was a Bach cantata / Hers a Chopin etudeâ â there follows a subtle alteration of tone, as Death tiptoes in as light as the Feathers of the collectionâs title. In âOld Flameâ:
âBeyond the Woodsâ is worth quoting in its entirety:
That clutches at the heart. A procession of serious poems comes next; however I shall leap forward to the light mockery of âExamining the Entrailsâ where: âThe old man on the hilltop / looked down on the meadow of his youthâ which too struck a chord. Then âFeathersâ is the title poem and it is a beauty; here is the opening stanza:
âThree Windowsâ, a poem of sadness and loss, brings a prickle of tears to the eye; and âEggs in a Wicker Basketâ must concern his late sister:
Now that you have gone, Spilled like eggs from a basket, Falling in slow motion, Losing orbit, The yolks not yellow but blood.And lastly, to complete this treasury of verse, the final lines of âMayflyâ:
The thing about Tim Cunninghamâs poems is that below the surface there lies always a shimmering truth. It has been a real pleasure for me to review this remarkable collection.