Julie Hogg is impressed by the unorthodox but skilfully crafted poetry of Lisa Kelly
The Cherry Orchard lays bare, in elegiac tones, the passing of the old, entrenched aristocratic order and the emergence of the new at the expense of the old.
Maxine Linnell feels a personal engagement with Sue Dymoke’s poetry
Alwyn Marriage finds both frankness and joy in poems from Ann Gray’s prize-winning pamphlet
Neil Fulwood considers Edward Mackinnon’s forceful poetic dissection of 75 years of war
John Forth appreciates the sense of knowledge and information worn lightly that runs through the poetry of Tony Roberts
Rosie Johnston finds Nancy Mattson’s poetry moves with seemingly effortless elegance while carrying a huge variety of subjects and voices
Stuart Henson enjoys becoming reacquainted with the poetry of Keith Howden
Paul McLoughlin admires Andrew Sant’s dexterous juggling with multiple concepts of gravity
Rosie Johnston celebrates a beautifully crafted and accessible pamphlet by new poet Lizzi Hawkins
If you can get along to Bethnal Green in the next three weeks, I highly recommend a visit to this exhibition of photographs. They document a dramatic period in the history of the East London.
Sometimes free exhibitions are as interesting as ones you pay for. This is the case of three free exhibitions displayed in three different rooms at the Ashmolean museum in Oxford.
By Carla Scarano • art, drawing, exhibitions, painting, sculpture, year 2019 • Tags: Carla Scarano, drawing, exhibitions, painting, sculpture