Spencer. Review by Graham Buchan. Pablo Larrain’s Spencer achieves a great deal that the other major bio-pic, Diana, directed by Oliver Hirschbiegel and released in 2013, did not.
Director David Greene has gone on record as saying that he finds upheaval in society to be dramatic and exciting. “I like my films to be a sort of reportage of the world around the action.” For me this accurately describes the effect of his three remarkable films of the late sixties. I Start Counting (1969), The Shuttered Room (1968) and The Strange Affair (1968) reveal a brilliantly confident sense of circumvention of plot and action.
BALLET FOR MURDERERS: Charles Rammelkamp reviews a poetry and prose collection by Richard Wayne Horton
In their humble domestic lives, my grandmothers were not romantic and did not fight for civil or women’s rights. They did not personify any ideal of femininity or heroic endeavour. They simply carried on with their ordinary lives caring for their families and working hard.
Rarely does the cinema provide us with such perfect opportunities for directly (and appropriately) comparing the work of two very different auteurs, but the release, just two months apart, of Jean-Luc Godard’s 2 or 3 Things I Know About Her and Luis Bunuel’s Belle de Jour, provides just such an opportunity.
100 POETS. A LITTLE ANTHOLOGY: Kevin Saving considers the selections made and not made for a new anthology compiled by John Carey
Poetry review – PHOENIX: Neil Fulwood is moved and encouraged by the spirit of reconciliation and collaboration running through this collection by Antony Owen
By Michael Bartholomew-Biggs • books, history, poetry reviews, politics, year 2021 • Tags: books, history, Neil Fulwood, poetry, politics