John Forth appreciates a carefully-compiled first collection by Andrew Geary
year 2018
Carla Scarano reviews Gillian Allnutt’s Wake and admires it as a study in words
Nick Cooke considers Ruth O’Callaghan’s ambitious poetic meditation on London’s immigrants
This is a remarkable exhibition: Jennie Jewitt-Harris’s intricate collages, built in many cases on a foundation of pencil and charcoal drawings of driftwood, are a delight to the eye.
There’s no other way to say it – we were in a different world – one with a clock tower and two oast houses, paved with cobble stones.
Alex Josephy sees a new chapbook by S A Leavesley as being a collection for our times
James Roderick Burns enjoys Judi Sutherland’s disciplined and penetrating poems
Peter Daniels takes note of some carefully negotiated poems from Joan Michelson
Roger Caldwell finds that Alice Major composes poetry with a brain as well as a heart
Peter Ualrig Kennedy finds some interesting nuggets in a rather uneven collection by Matt Nicholson.
Carla Scarano reflects on Jane Weir’s collection of poems on refiguring relationships and gender roles
This is Shakespeare light. Very light. Antic Disposition’s presentation of Shakespeare’s 1598 comedy is aimed at touring in South West France during the summer months when Paris empties and the French take to the countryside.
By Julia Pascal • plays, theatre, year 2018 • Tags: Julia Pascal, plays, theatre