Poetry Review – The Machineries of Joy: John Forth seeks to do justice to the sheer range of Peter Finch’s poetry
poetry reviews
Merryn Williams reviews Matthew Barton’s new translation of Rilke’s Duino Elegies
Poetry review – How Time is in Fields: Wendy Klein commends Jean Atkin for making authentic poetry out of authentic country lore
Poetry review – Gifts Without Wrapping: Stuart Henson is impressed by Michal Choinski‘s short collection of poems about human bodies and their interactions
Poetry Review – Each Other: Mat Riches thinks Clare Best’s poems have some very convincing things to say about relationships
Poetry review – Footnotes to Water: Alex Josephy enjoys the river theme running through Zoë Skoulding’s latest collection
Poetry Review – How Death Came into the World: Isabelle Kenyon explores the mysterious world created in Nancy Charley’s latest collection
Poetry review – The Significance of a Dress: Pat Edwards is impressed by Emma Lee’s use of clothing as a metaphor for deeper human issues
Poetry review – Contained: Julie Hogg immerses herself in David Turner’s poetry collection with multimedia accompaniment
Poetry review – My Tin Watermelon: Brian Docherty takes a thoughtful stroll through a new collection by Peter Daniels – and in the process learns the meaning of “Touching Mr Williams”
Poetry review – The Unreturning: P W Bridgman salutes Martin Malone’s poetic counter-attack on certain received ideas about the Great War
Thomas Ovans reviews two recent poetry pamphlets by Stephen Claughton – The War with Hannibal and The 3-D Clock
By Michael Bartholomew-Biggs • books, poetry reviews, year 2020 0 • Tags: books, poetry, Thomas Ovans