The risk for any exhibition at Two Temple Place – a glorious late Victorian mansion at Temple, central London – is that the wood carving and stained-glass beauty of the building will steal the show.
exhibitions
In Translation: an exhibition of poetry by Katherine Venn at the Westbourne Grove Church ArtSpace
The fascinating venue of Chiostro del Bramante at Arco della Pace near piazza Navona in the centre of Rome again hosts an exhibition in collaboration with Tate Britain. This time, the artworks of two major British painters, Francis Bacon and Lucian Freud, are together on display.
William Blake
Venue: Tate Britain, London, until February 2
Curated by Martin Myrone and Amy Concannon
The revolutionary attitude that Mary Quant’s iconic outfits convey strikes the viewer at the V&A retrospective exhibition. She is considered one of the most influential fashion designer of the 1960s.
In 1894, Edouard Michelin, the fine artist of a gifted family, looked at a pile of tyres and said to his engineer brother André: “With arms and legs, that would look like a man.”
In the astonishing setting of Kew Gardens, the organic shapes and luminous colours of Chihuly’s glass sculptures stand out and merge with the landscape.
For painter Victoria Crowe, who was born in England but made her home in Scotland, tapestry produces richer, warmer versions of the colours paintings reflect. For Grayson Perry, tapestry is the medium to explore his fascination with class, craft and community.
Starting from Alice in Wonderland, re-told as Alice St Claire by Hoshino Yukinobu, the Citi Exhibition Manga at the British Museum invites the visitors to enter the rabbit hole of the fabulous manga imaginary world.
One million plastic bottles are bought every minute and most of them are not recycled. It’s a stark reality Claire Davenport and Grioghair McCord were moved to explore after a trip to a Shetland beach littered with plastic bottles.
In the first exhibition to explore the evolution of Moore’s artistic obsession, the Wallace Collection brings together more than sixty sketches, drawings, maquettes and full-sized sculptures in plaster, lead and bronze, culminating in his seven Helmet Heads.
Léon Spilliaert was an insomniac. He walked a great deal in the dead of night and developed an appreciation of all the shades of darkness that establish the still, silent, brooding atmosphere of his work displayed in a long overdue first British monograph exhibition at the Royal Academy.
By Barbara Lewis • art, exhibitions, painting, year 2020 • Tags: art, Barbara Lewis, exhibitions, painting