With their green goats, giant roosters and bridal couples flying through the air, Marc Chagall’s works appear fantastic, but he insisted he only painted direct reminiscences of his own life.
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Faces Then focuses on the 16th-century, regarded as the golden age of the portrait, when it was the rich, the powerful and the burgeoning bourgeoisie who could afford to have their portraits taken. Faces Now confines itself to the period since 1990, after the fall of the Berlin Wall, and, with it, the collapse of ideologies and artistic parameters.
In Brussels, art nouveau found its most complete expression in the architecture of Victor Horta. Now the Brussels’ Musees Royaux des Beaux Arts has devoted a huge new “Fin-de-Siecle” section, a museum in itself, to the artistic context in which he thrived.
Now fully restored, with its chequered Flemish floors, semi-circular gallery and portico inspired by a Roman triumphal arch, the Rubenshuis, Ruben’s home in Antwerp, is one of the most popular attractions in a vibrant city, just under an hour’s train journey from Brussels.
The Alternative Guide to the Universe, Hayward Gallery, 11 June – 26 August 2013. Souzu – Outsider Art from Japan, Wellcome Collection, 28 March – 30 June 2013.
When approached for an idea for an exhibition at Turner Contemporary, guest curator, Brian Dillon, editor of the arts magazine Cabinet, hit upon the concept of ‘curiosity’.
Londongrip retrospective art exhibition – Michael Horovitz The paintings on this page are a selection from the work of Michael Horovitz, well-known British poet, performer and artist
The Painting of Modern Life: Contemporary Photography and the Everyday Ruth Rosengarten explores an exhibition that enquires what painting makes of photography
Phillip Kotokwa – sculptor in stone from Zimbabwe
Archive 2010 Ruth Rosengarten reviews an exhibition of Italian Renaissance Drawings at the British Museum, London, 22 April – 25 July, 2010.
Crushed, Crumpled, Transformed – Ruth Rosengarten reviews work by Angela De La Cruz at Camden Arts Centre, London – April-May 2010
An exhibition of the extraordinary output of France’s Henri Cartier-Bresson, hailed as the founder of photojournalism and “the eye of the century”. That is true in the fullest sense of the words, given his exceptional ability to see the telling detail, or, in his own words, to seize the fact related to “the deep reality”.
By Barbara Lewis • art, exhibitions, photography, year 2015 • Tags: art, Barbara Lewis, exhibitions, photography