Rosie Johnston is impressed by Martin Figura’s boldness in applying Catastrophe Theory to the mechanics of human relationships
year 2016
Brian Docherty comments on political poems from pre-WW2 Japan by Kosuke Shirasu which have recently been republished in a bi-lingual edition by Jun Shirasu and Bruce Barnes
Thomas Ovans enthuses over a new (and overdue) collection from Donald Atkinson
Sarah Lawson observes that reading Michel Faber’s collection about grief and death can expand our capacity for empathy
D A Prince finds richness of detail in a slim collection by Martyn Halsall
Graham Hardie finds that Oliver Comins’ poems about golf also have an appeal to the non-enthusiast.
Thomas Ovans investigates a Shoestring anthology edited by Merryn Williams which has received an unusual amount of attention for a poetry book.
Wendy French recognises the heartfelt experience behind a very personal poetry collection from Avril Chester
Ryan’s Return: Brian Docherty takes a thoughtful and observant stroll through Sean O’Brien’s sombre version of West London
Pamela Johnson’s latest novel describes the intriguing interplay between three characters and reveals a lot about human vulnerability and resilience
Ivan Callus considers the distinctive poetic voice of Abigail Zammit
Sarah Lawson plaintively asks the question: Why Don’t People Read Benito Cereno When I Tell Them To?
By Michael Bartholomew-Biggs • authors, books, year 2016 0 • Tags: authors, books, Sarah Lawson