Five hundred years ago, Peckham was green and pleasant. By the 1980s and 1990s, when two of its most famous fictional characters Del Boy and Rodney Trotter were plying their dodgy wares, even the pigeons wanted to be elsewhere, or so Rodney tells us.
theatre
Of all the Miller revivals currently doing the capitalâs round, âThe American Clockâ is not the softest option for any director, actor or audience to take on. Part social documentary, part human drama, part political commentary, it can feel at times like it has bitten off more vision and message than it can theatrically deliver.
It is rare to see productions of Brecht in London today. It is even rarer to see them performed in Russian.This jewel from Moscow came only briefly to London but it showed audiences that there is an antidote to endless naturalism.
As a half French, half American individual, I give in to a pastime common to double nationals, which consists of regularly comparing both countries of origin.
The Cherry Orchard lays bare, in elegiac tones, the passing of the old, entrenched aristocratic order and the emergence of the new at the expense of the old.
One of the strengths of this piece of thoughtful social melodrama is that, by the end, any credibility stretched by the child-mob scenario is less important than the way we are moved to analyse our own response to one manifestation of historic institutionalised British child abuse.
Lucca, Italy, was the birthplace of Giacomo Puccini in 1858 in an apartment that is now a museum to the last and most famous of generations of Puccini maestros, restored to its Second Empire glory, down to a bed, surrounded by columns, that replicates the one in which Puccini was born.
Just as Keatsâ elliptic âBeauty is truth, truth beautyâ is comprehensible in context, the meaning of Che Walkerâs âTime is Love/Tiempo es Amorâ is made apparent by this superbly acted and eloquent 90 minutes of drama.
Tolstoyâs great, complex, genre-busting sprawl âWar and Peaceâ is about many things, including Russian nationalism to the extent that when Hitler attacked the Soviet Union in 1941, Stalin reached for the work to promote a patriotic defence of the Motherland.
Any story-line involving a single woman is inherently more dramatic than a narrative of a single man because of biologyâs cruel deadlines.
Damon Runyanâs short stories inspired what has become an iconic and much-loved Broadway musical and movie – Guys and Dolls.
by Julia Pascal • plays, theatre, year 2019 • Tags: Julia Pascal, plays, theatre • 1 Comment
Medea is perhaps the most potent myth for the #MeToo generations. First-performed in 431 BC, Euripidesâ drama has had countless interpreters.