As a half French, half American individual, I give in to a pastime common to double nationals, which consists of regularly comparing both countries of origin.
theatre
The Cherry Orchard lays bare, in elegiac tones, the passing of the old, entrenched aristocratic order and the emergence of the new at the expense of the old.
One of the strengths of this piece of thoughtful social melodrama is that, by the end, any credibility stretched by the child-mob scenario is less important than the way we are moved to analyse our own response to one manifestation of historic institutionalised British child abuse.
Lucca, Italy, was the birthplace of Giacomo Puccini in 1858 in an apartment that is now a museum to the last and most famous of generations of Puccini maestros, restored to its Second Empire glory, down to a bed, surrounded by columns, that replicates the one in which Puccini was born.
Just as Keats’ elliptic “Beauty is truth, truth beauty” is comprehensible in context, the meaning of Che Walker’s “Time is Love/Tiempo es Amor” is made apparent by this superbly acted and eloquent 90 minutes of drama.
Tolstoy’s great, complex, genre-busting sprawl “War and Peace” is about many things, including Russian nationalism to the extent that when Hitler attacked the Soviet Union in 1941, Stalin reached for the work to promote a patriotic defence of the Motherland.
Any story-line involving a single woman is inherently more dramatic than a narrative of a single man because of biology’s cruel deadlines.
Damon Runyan’s short stories inspired what has become an iconic and much-loved Broadway musical and movie – Guys and Dolls.
This piece of theatre is inspired by La Maladie de la Mort, Marguerite Duras’ 1982 novella. The original text explored a homosexual’s purchase of a woman in a vain search for love.
Henrik Ibsen’s Peer Gynt defied theatre’s limitations with a vast cast, sprawling action and special effects.
Under Stewart Laing’s inspired direction, four permanently-glowing screens help to convey the bigoted characters of a charmless northern French village, where violence, shame, pride, racism and homophobia form the fabric of society.
by Julia Pascal • plays, theatre, year 2019 • Tags: Julia Pascal, plays, theatre • 0 Comments
It is rare to see productions of Brecht in London today. It is even rarer to see them performed in Russian.This jewel from Moscow came only briefly to London but it showed audiences that there is an antidote to endless naturalism.