One Small Step. Review by Barbara Lewis. Japan’s Umeda Arts Theater, based in Osaka, began collaborating with London’s Charing Cross Theatre in 2019. It’s now back after a break for the pandemic and then a joint venture with London’s Menier Chocolate Factory last year.
theatre
Why Am I So Single?! Review by Barbara Lewis. From Jane Austen to “Friends,” the pursuit of heterosexual love has been the goal of romantic comedy. Toby Marlow and Lucy Moss, the makers of the international musical hit “SIX,” have turned that on its head with a musical comedy that celebrates “love friendship” between a non-binary man and a woman.
Plantation A. Review by Barbara Lewis. In 1957 Alain Robbe-Grillet reinvented the novel with an almost abstract, almost plot-less narrative and a central character named only as A… Now composer Edward Jessen has reinvented opera with “an experimental sonic theatre work” and a lone soprano (A…) singing words whose meaning we can only guess at.
The Trumpeter. Review by Barbara Lewis. Mariupol, where Ukraine for nearly three months in 2022 resisted Russia’s determination to create a land bridge between Crimea and Donbas, became a byword for horror.
The Comedy of Errors. Review by Barbara Lewis. This is the HandleBards’ uplifting summer tour, which after 935 miles of pedalling, brought the cycling players to a picnicking audience in the grounds of Horace Walpole’s Gothic revival mansion at Strawberry Hill, west London.
Kyoto. Review by Barbara Lewis. If Shakespeare put the English town of Stratford-upon-Avon on the global map, the Kyoto climate treaty arguably did the same for an ancient Japanese capital.
Pirandello In Context. Review by Alan Price. Luigi Pirandello (1867-1936) is best known for his 1921 stage play Six Characters in Search of an Author. It was a landmark play that changed theatre.
Swan Lake in the Round. Review by Julia Pascal. This is the most famous of classical ballets and it was conceived for the proscenium arch Italianate style theatre of Imperial Russia when it opened with Marius Petipa’s choreography to Peter Tchaikovsky’s composition at Moscow’s Bolshoi Ballet in 1895.
Stephen Sondheim Society. Review by Barbara Lewis. The SSSSPOTY, as it is known in Sondheim circles, technically is a competition, but, like Bonnie Langford, compere of this year’s 16th edition, you may prefer to see it as a celebration.
Romeo and Juliet. Review by Julia Pascal. This production has not been seen in London since 2009. Consequently, most Londoners will know revivals of Kenneth MacMillan’s famous 1965 version which has regularly been performed by the Royal Ballet at Covent Garden.
May Be at Sadler’s Wells. Review by Julia Pascal. I walk into a Paris bookshop and ask if they can offer me play texts by contemporary French authors. The assistant directs me to a shelf of plays by Samuel Beckett. To the French, Samuel Beckett is one of theirs. He wrote in French. He lived most of his life in France. But was he Irish? Anglo-Irish? French?
Tattooer. Review by Barbara Lewis. Love them or loathe them, tattoos have global appeal. But Japan’s version of permanently etching ink into the skin is culturally specific.
By Barbara Lewis • plays, theatre, year 2024 • Tags: Barbara Lewis, plays, theatre