Poetry review – REQUIEM: P.W. Bridgman takes an in-depth look at Síofra McSherry’s long poem which faces loss and death
books
Poetry review – DEAR LIFE: Rosie Johnston peruses a prize-winning pamphlet by Maya C Popa
Poetry review – ARIAS OF CONSOLATION: Tim Cunningham is captivated by John Liddy’s hymn to Limerick and its history
Poetry review – KITCHENS AT NIGHT: D A Prince admires the mysterious energy running through Dean Browne’s poems
NO ONE HAS ANY INTENTION OF BUILDING A WALL: James Roderick Burns finds considerable power in a slim volume of short stories by Ruth Brandt
OFFCUMDENS: Sue Wallace-Shaddad reviews a poem & photograph collaboration by Bob Hamilton & Emma Storr
Poetry review – THE FIELD OF HAPPINESS: Robert Cooperman is pretty happy with Charles Rammelkamp’s new collection
Poetry review – THE SLEEP ROAD : Nell Prince enjoys the first full collection by Stewart Sanderson
Poetry review – A TRIPTYCH OF BIRDS & A FEW LOOSE FEATHERS: Carla Scarano reviews a debut collection by Pratibha Castle
Poetry review – CHANGE: Bill Jenkinson appreciates a wide-ranging and richly varied collection by Gill Learner
Poetry review – A KIND OF SILENCE: Carla Scarano considers a debut pamphlet by Barbara Hickson
London Now and The Art of Literature. Review by Barbara Lewis. Leonardo da Vinci, creator of Salvator Mundi, the most expensive painting sold yet, said: “painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen”. Seller of the Salvator Mundi in 2017, Christie’s, which is cultivating its image as so much more than a place where very rich people spend millions, has taken his words as part of the inspiration for an exhibition open free to the public that showcases teasingly the latest lots next to rarely seen, privately-held works that are not for sale.
By Barbara Lewis • art, books, drawing, exhibitions, painting, year 2022 • Tags: art, Barbara Lewis, books, drawing, painting