A daring exhibition of Yayoi Kusama’s work at Victoria Miro Art Gallery.
installations
Henry Moore enthusiasts could do worse on this rainy Easter Week than to head for Canary Wharf and see this exhibition, which tells the story of the creation of the Draped Seated Figure, now known as “Old Flo”, and her changing fortunes over the past fifty years.
Arp, The poetry of Forms is a major retrospective of an artist whose work seeks to captures abstract thought. This exhibition is contrasted by Tracey Emin’s My bed and her selection of Turner sea-scapes, that deal with a more visceral response to life.
I first came across the work of Delhi born artist Dayanita Singh in an exhibition and book, Myself Mona Ahmed (2001), a photo-essay about an aging eunuch transsexual (hijra) living in a graveyard in Old Delhi. In this extraordinary body of work – the book contains various different kinds of text alongside the photographs) – one sensed not only compassion, but a collaboration between the person in front of the camera, and the one looking through the lens.
It is always interesting to pinpoint the moment when one becomes conscious of a change of mood or orientation in contemporary artistic practices. Something has emerged that offers quite a different tonic. This ‘something’ might be termed ‘mindful matter’: it is materialism with a twist, or with a new twist.
Tokyo: a bridge between tradition and modernity, by Carla Scarano D’Antonio. Compared to Kyoto, Tokyo is bigger, busier and cosmopolitan. My friend Ornella and I had plenty of time by ourselves as my daughter was busy with her course at the Bunka Gakuen University where she is attending a Master in Fashion and Design.
By Carla Scarano • architecture, art, design, drawing, exhibitions, fashion, festivals, food, history, installations, painting, poetry, sculpture, society, travel, year 2019 • Tags: architecture, art, Carla Scarano, design, drawing, exhibitions, fashion, festivals, food, installations, painting, poetry, sculpture, society, travel