Peter Ulric Kennedy finds Kate Noakes’ new collection to be an invigorating compilation of open verse with Parisian overtones.
Michael Bartholomew-Biggs
About Michael Bartholomew-Biggs
Posts by Michael Bartholomew-Biggs:
Ruth Valentine considers the balance between politics and poetics in Alan Morrison’s new collection
London Grip reviews four recent poetry pamphlets from Rack Press
D A Prince explores the latest collection by Millicent Borges Accardi and finds the poet an intriguingly elusive presence
Jeremy Wikeley gives his reactions to the exhibition Larkinworld which is currently at the Poetry Library, Southbank Centre
Caroline Maldonado welcomes Cristina Viti’s recent translation of a 1968 poem-cycle by Elsa Morante
Jenny Vuglar visits the Winifred Nicholson exhibition Liberation of Colour currently at the Djanogly Art Gallery, Lakeside Arts, Nottingham (4 March – 4 June 2017)
The Colour of Experience: Brian Docherty’s review of the new collection by Wendy Klein
Emma Lee reviews a new six-author anthology of poems
James Roderick Burns finds Geraldine Paine’s new narrative collection to be a timely reminder of traditional poetic virtues
Nick Cooke finds that Angela Readman’s new collection lives up to the description given on the book jacket
James Roderick Burns raises some questions of balance in relation to Susan Utting’s recent ‘New & Selected’
By Michael Bartholomew-Biggs • books, poetry reviews, year 2017 • Tags: books, James Roderick Burns, poetry