Poetry review – WE SAW IT ALL HAPPEN; Sue Wallace-Shaddad finds a strong and convincing thread running through this collection of eco-poetry by Julian Bishop
Sue Wallace-Shaddad
Poetry review – ESCAPE ROOM: Sue Wallace-Shaddad considers Bryony Littlefair’s clever mixing of close observation and free-range imagination
Poetry review – SING ME DOWN FROM THE DARK: Sue Wallace-Shaddad reviews Alexandra Corrin-Tachibana’s poetic exploration of cross-cultural relationships
THE NAKED WORLD: Sue Wallace-Shaddad follows Irina Mashinski on her autobiographical journey in prose and poetry
OFFCUMDENS: Sue Wallace-Shaddad reviews a poem & photograph collaboration by Bob Hamilton & Emma Storr
Poetry Review – ALL ABOUT OUR MOTHERS: Sue Wallace-Shaddad admires a powerful collaboration by Vasiliki Albedo, Mary Mulholland and Simon Maddrell
Poetry review – A WOVEN ROPE: Sue Wallace-Shaddad follows the thread of human experience running through these poems by Jenna Plewes
Poetry review – PANDORA’S PANDEMIC: Sue Wallace-Shaddad considers Alwyn Marriage’s honest but hopeful poetic account of life in a time of covid-19
Poetry review – AFTER HOPPER AND LANGE: Sue Wallace-Shaddad finds David Olsen’s ekphrastic poems are very evocative of the era portrayed by Dorothea Lange and Edward Hopper
Poetry review – FOR MARY, MARIE, MARIA: Sue Wallace Shaddad explores Lucy Rose Cunningham’s allusive and mysterious poetry
WE COME FROM THE SUN: Sue Wallace-Shaddad leads us through an innovative album of poetry, music and sound compiled by Cerys Matthews
Poetry review – MAPPING BROKEN ROADS Sue Wallace-Shaddad finds a reassuring humanity among the various unfamiliar forms and layouts used in Roger Bloor’s collection
By Michael Bartholomew-Biggs • added recently on London Grip, books, poetry reviews, year 2026 • Tags: books, poetry, Sue Wallace-Shaddad