Poetry review – GALLOPING HORSES: In spite of some of its difficult themes, Rennie Halstead finds that Setareh Ebrahimi’s first collection repays re-reading and reflection
year 2021
Poetry review – THE LEADING QUESTION: John Williams admires Roger Elkin’s skill at making poetry from tragic events.
Poetry Review – WHAT IF?: Maxine Linnell gets to know June Hall through the honesty of her poetry
Poetry review – COPING STONES: Stephen Claughton enjoys some adroit wordplay and wit in Richie McCaffery’s new collection
Poetry review – IN CHARGE OF THE GUN: David Mitchell is intrigued by Graham Clifford’s poetic response to the strange times we live in
Poetry review – SOMETHING SO WILD AND NEW IN THIS FEELING: Pam Thompson is impressed by Sarah Doyle’s original poems drawn from the writings of Dorothy Wordsworth
Poetry review – A NORTHUMBRIAN BOOK OF HOURS: Alex Josephy explores Neil Curry’s meditative prose-poems about St Cuthbert
Poetry review – YIELD: Carla Scarano D’Antonio reflects on a very personal collection by Claire Dyer
NEVER HIT A WOMAN, EVEN WITH A FLOWER … Kate Ashton takes a close look at recent collections by Sasha Dugdale and Patricia McCarthy and considers how well they respond to the serious issues they address
By Michael Bartholomew-Biggs • books, poetry reviews, psychology, society, year 2021 0 • Tags: books, Kate Ashton, poetry, psychology, society