Pamela Johnson explores a small book in which the poems of Helen Mort respond to massive Arctic landscapes
books
Emma Lee looks at the new Happenstance collection from Fiona Moore
Graham Hardie considers the range and substance of a debut collection by Will Holloway
Stuart Henson listens in to Neil Curry’s artful channeling of Virginia Woolf
Marnie is remembered best as the film directed by Alfred Hitchcock. Made in 1964, with Tippi Hedren and Sean Connery in the leading roles, Marnie tells the story of a mysterious woman who assumes multiple identities in order to steal money from her employers and the man who hunts her down, Mark Rutland.
According to her latest memoir, To Throw away Unopened, Viv Albertine is very, very angry. Her first, Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys opens with the story of how she joined girl band The Slits in the late 1970’s with Ari Up, Tessa Pollitt and Palmolive to make music in the same riotous spirit of amateurism as their punk brothers, the Sex Pistols.
Merryn Williams shares a few thoughts about Alan Dunnett’s rather challenging poetry collection which seeks, among other things, to capture “the psychological fallout of anxiety in modern capitalist culture”
Richie McCaffery finds the new pamphlet by Donald Gardner to have something of the weight of a full collection
Keith Bosley’s expertise with language gives breadth to his poems without losing touch with the ordinary reader, observes Carla Scarano
Norbert Hirschhorn delights in the discipline underpinning Mimi Khalvati’s poetry
James Roderick Burns appreciates the way Phil Kirby handles darker aspects of life with honesty but without excluding hope
Martin Noutch appreciates both the playfulness and the seriousness of Kevin Densley’s collection
By Michael Bartholomew-Biggs • books, poetry reviews, year 2018 0 • Tags: books, Martin Noutch, poetry