Thomas Ovans browses an ambitious anthology of poems inspired by the artist Stanley Spencer and finds that every picture may tell several stories
art
Following in Fitzgerald’s Footsteps: Brian Docherty reviews Ruth Valentine’s small but politically significant and beautifully illustrated new collection from Hercules Editions
A new glass museum opened last autumn in the North of France and it is a jewel. It is centred in Sars-Poteries in the Avesnois. This is a rural setting which once housed glass-making factories from 1800-1937.
Overlooked for centuries, her paintings were often wrongly attributed to her father, Orazio Gentileschi. In the same period her work sank to a level of obscurity equal to that one of her greatest influences, Caravaggio. His reputation was restored in the 1920’s. Artemisia Gentileschi had to wait a little longer.
Playing with ‘The Rules’: Brian Docherty considers an anthology whose poems could be viewed as case studies in ekphrasis – but also as much more than that.
On the whole, the curators have given the works the space they need and brought a coherent approach to displaying them in relation to each other, which provides the viewer with a largely satisfying experience.
By Jane McChrystal • art, exhibitions, painting, photography, sculpture, year 2017 • Tags: art, exhibitions, Jane McChrystal, painting, photography, sculpture