#WeAreArrested
Venue: Arcola Theatre, London
Dates of run: Until Dec 7
Co-production with Royal Shakespeare Company
plays
As You Like It is one of Shakespeare’s most crazy comedies and one of his most tedious plots.
I go to Russian theatre for the performances of actors whose skills are extraordinary. Theatre of Nations’ double bill did not disappoint.
Marcus Brigstocke makes his play-writing and directorial debut as actors Bruce and Sam Alexander, father and son in real life, give drama and poignancy to a story that begins with the funeral of the father.
Chilean singer-songwriter, poet, cult figure Violeta Parra’s most famous work “Gracias a la vida” can be viewed as an outpouring of gratitude – or as a suicide note.
Joy Wilkinson’s latest play tells the story of a troupe of fictional women fighters scrabbling to earn a living in the real-life world of lady’s boxing in Victorian London and become world champion.
The idea of this drama came from an interview with a Kurdish soldier who had fled to England seeking asylum.
Almost exactly 100 years ago on April 13, in Amritsar, the British Indian Army fired into a crowd of unarmed Punjabis, killing and harming hundreds. Director Phil Wilmott marks this appalling example of man’s inhumanity to man by transporting Othello from Venice and Cyprus to the India of the British Raj.
Medea is perhaps the most potent myth for the #MeToo generations. First-performed in 431 BC, Euripides’ drama has had countless interpreters.
Of all the Miller revivals currently doing the capital’s round, ‘The American Clock’ is not the softest option for any director, actor or audience to take on. Part social documentary, part human drama, part political commentary, it can feel at times like it has bitten off more vision and message than it can theatrically deliver.
It is rare to see productions of Brecht in London today. It is even rarer to see them performed in Russian.This jewel from Moscow came only briefly to London but it showed audiences that there is an antidote to endless naturalism.
The theatrical brilliance of Endgame is thrown into relief by Jones’ decision to precede it with the rarely performed Rough for Theatre II, which Beckett is believed to have written around the same time as Endgame in the late 50s.
By Barbara Lewis • plays, theatre, year 2020 • Tags: Barbara Lewis, plays, theatre