David Mitchell reviews A History of Water in the Middle East at the Jerwood Theatre Upstairs at the Royal Court
politics
Stuart Henson wonders about the title but in other respects finds that the sharp-pointed humour in Ian McMillan’s new chapbook penetrates most of its targets.
Stuart Henson recommends a budgie’s-eye view of Brexit as set down by John Gohorry
At the end of part one of this article, we saw the arrival of Nellie Cressall on the Isle of Dogs.
Neil Curry indulges in a brief speculation on a recent parallel to a historical moment in the 17th century
Although Jon Bloomfield intended “Our City” for a general audience, I think some of our elected representatives could learn a lot from it.
In 1962 The Westinghouse Corporation made a documentary film exploring the state of the nation as Britain continued to register the aftershocks of war, adjusted to the loss of empire and witnessed the erosion of its status as a world-class industrial nation.
Neil Fulwood considers Edward Mackinnon’s forceful poetic dissection of 75 years of war
If you can get along to Bethnal Green in the next three weeks, I highly recommend a visit to this exhibition of photographs. They document a dramatic period in the history of the East London.
Merryn Williams shares a few thoughts about Alan Dunnett’s rather challenging poetry collection which seeks, among other things, to capture “the psychological fallout of anxiety in modern capitalist culture”
Carla Scarano visits two exhibitions in Florence: The return to Italy of Salvatore Ferragamo in 1927 and the Dawn of a Nation after WW II
Social Solidarity and the Arts in Woke Times: Michael Crowley advocates against an ever-increasing subdivision of the arts into racial, age-related or gender groups for a similar audience
By Michael Bartholomew-Biggs • art, literature, politics, society, year 2019 0 • Tags: art, literature, Michael Crowley, politics, society