Plantation A. Review by Barbara Lewis. In 1957 Alain Robbe-Grillet reinvented the novel with an almost abstract, almost plot-less narrative and a central character named only as A… Now composer Edward Jessen has reinvented opera with “an experimental sonic theatre work” and a lone soprano (A…) singing words whose meaning we can only guess at.
music

State Ballet of Georgia – Swan Lake. Review by Julia Pascal. How thrilling to see the state Baller of Georgia in London for the first time. The Company is lucky enough to have mega star Nina Ananiashvili as Artistic Director.

Swan Lake in the Round. Review by Julia Pascal. This is the most famous of classical ballets and it was conceived for the proscenium arch Italianate style theatre of Imperial Russia when it opened with Marius Petipa’s choreography to Peter Tchaikovsky’s composition at Moscow’s Bolshoi Ballet in 1895.

Poetry review – MUSIC, AWAKE HER: Edmund Prestwich admires both musicality and mutually illuminating images in a new collection by Martha Kapos

Romeo and Juliet. Review by Julia Pascal. This production has not been seen in London since 2009. Consequently, most Londoners will know revivals of Kenneth MacMillan’s famous 1965 version which has regularly been performed by the Royal Ballet at Covent Garden.

New York City Ballet at Sadlers Wells. Review by Julia Pascal. George Balanchine founded New York City Ballet and gave us classical technique without classical narratives. His work is described as neo-classic or even anti-classic. But since his death in 1983 the Company has been looking at other creatives to provide Company identity.
Jazz Conversations. Review by Barbara Lewis. Choreographer Dollie Henry and jazz composer Paul Jenkins have for more than a quarter of a century led the Body of People Jazz Theatre Company (aka BOP) on the basis jazz is a life-affirming, always-contemporary, ever-adapting, all-inclusive, forgiving form.
By Barbara Lewis • dance, music, year 2024 • Tags: Barbara Lewis, dance, music