London Grip Poetry Review – Woolley
Emma Lee is pleased by the musical elements in a new collection by Reuben Woolley
year 2018
London Grip Poetry Review – Crucefix
Stuart Henson considers the elegance of two pamphlets by Martyn Crucefix.
Woman Before A Glass. Review by Julia Pascal.
Lanie Robertson’s fine one-woman play on Peggy Guggenheim is a feast for intelligent audiences wanting to celebrate Guggenheim’s extraordinary life.
Coincidences, Galleria Riccardo Costantini Contemporary. Review by Barbara Lewis.
Stroll through the streets of Turin or look out from the city’s rattling trams and you’re confronted with wall after wall of windows framed by whatever architectural embellishments were fashionable at the time of construction, from the standard shutters of residential apartment blocks to ornate neo-classical gods and gargoyles on civic buildings.
London Grip Poetry Review – Wai Keung
Jeremy Wikeley is impressed by a competition-winning first collection from Sean Wai Keung
London Grip Poetry Review – Malone
Wendy Klein commends Martin Malone’s new chapbook which revisits the first World War in the centenary year of its ending
Stairs & Whispers
Wendy French admires an anthology of work by deaf and disabled poets
London Grip Poetry Review – Bailey
Shanta Acharya takes an in-depth look at a new collection by R V Bailey
London Grip Poetry Review – Elliot
Paul McLoughlin admires both the craft and the range of Alistair Elliot’s third collection from Shoestring Press