Jill Harris enthuses about a remarkable tapestry on show at London’s Fleming Collection
exhibitions
What exactly is the essence of Belgium? Far harder to pin down than French chic or English sang-froid, the nation’s uneasy mix of Walloon and Flemish, surreal and down-to-earth, all miraculously held together, is perfectly encapsulated by the Atomium – a giant, futuristic structure on the northern edge of Brussels.
Matisse’s Startling Late Works: The Cut-Outs. Tate Modern, 17 April – 7 September 2014 No wonder Henri Matisse is well loved. His works are sensuous, jubilant, gorgeous: they envelop and immerse the viewer in voluptuousness, in light that finds itself materialised as coloured form, coloured space.
In Brussels, art nouveau found its most complete expression in the architecture of Victor Horta. Now the Brussels’ Musees Royaux des Beaux Arts has devoted a huge new “Fin-de-Siecle” section, a museum in itself, to the artistic context in which he thrived.
It is always interesting to pinpoint the moment when one becomes conscious of a change of mood or orientation in contemporary artistic practices. Something has emerged that offers quite a different tonic. This ‘something’ might be termed ‘mindful matter’: it is materialism with a twist, or with a new twist.
The Alternative Guide to the Universe, Hayward Gallery, 11 June – 26 August 2013. Souzu – Outsider Art from Japan, Wellcome Collection, 28 March – 30 June 2013.
When approached for an idea for an exhibition at Turner Contemporary, guest curator, Brian Dillon, editor of the arts magazine Cabinet, hit upon the concept of ‘curiosity’.
Metamorphosis – Poems Inspired by Titian – a collection published by The National Gallery
Don McCullin’s ‘Shaped by War’ Both the persona and work of Don McCullin, conflict photographer and self confessed “war junkie”, have always held a mesmeric allure over me.
Londongrip retrospective art exhibition – Michael Horovitz The paintings on this page are a selection from the work of Michael Horovitz, well-known British poet, performer and artist
The Arts in Romania A report for London Grip on the regeneration of the arts in Romania
Faces Then focuses on the 16th-century, regarded as the golden age of the portrait, when it was the rich, the powerful and the burgeoning bourgeoisie who could afford to have their portraits taken. Faces Now confines itself to the period since 1990, after the fall of the Berlin Wall, and, with it, the collapse of ideologies and artistic parameters.
By Barbara Lewis • art, exhibitions, painting, photography, year 2015 • Tags: art, Barbara Lewis, exhibitions, painting, photography