John Craxton: A Modern Odyssey. Review by Barbara Lewis. John Craxton managed to emerge from school without passing a single exam, not even in art. Instead, charm, daring, connections, irrepressible talent and luck served him better than any merely formal qualifications.
painting

Claudette Johnson’s exhibition Presence. Review by Jenny Vuglar. Johnson first came to attention in 1982 while a student at The Polytechnic Wolverhampton. Britain’s ‘black cultural renaissance’ began, not in the famous institutions of London but in the Polytechs of the north: Wolverhampton, Trent, Sunderland.
![Piet Mondrian, Composition in colour B, 1917. Oil on canvas, 50.5 x 45 cm. Collection Kröller-Müller Museum[48965] Piet Mondrian, Composition in colour B, 1917. Oil on canvas, 50.5 x 45 cm. Collection Kröller-Müller Museum[48965]](https://londongrip.co.uk/wp-content/uploads/2023/04/Piet-Mondrian-Composition-in-colour-B-1917.-Oil-on-canvas-50.5-x-45-cm.-Collection-Kroller-Muller-Museum48965-180x200.jpg)
Hilma af Klint & Piet Mondrian: Forms of Life. Review by Graham Buchan. I recommend this show because any exhibition which redresses the balance in favour of a neglected artist is to be commended even if, as I think, af Klint’s work is not altogether good.

Spain and the Hispanic World. Review by Carla Scarano. We are lucky that the Hispanic Society Museum and Library in Upper Manhattan is closed for refurbishing so that the collection that the philanthropist Archer M. Huntington accumulated in the late 19th and early 20th centuries can travel the world on loan.
Poetry review – GOD’S LITTLE ARTIST: Rosie Johnston considers Sue Hubbard’s perceptive and affectionate poetic biography of the painter Gwen John
By Michael Bartholomew-Biggs • art, books, painting, poetry reviews, year 2024 0 • Tags: art, painting, poetry, Rosie Johnston