D A Prince

D A Prince becomes fully engaged with John Fuller’s witty and ingenious use of form

D A Prince considers how best to appreciate the subtle poetry of Martyn Crucefix

Kathryn Daszkiewicz’s new collection has a carefully worked structure and D A Prince enjoys spending time in the company of its closely-linked poems

The undoubted cleverness in Chrissy Williams’ collection is never merely play but also has purpose, observes D A Prince

D A Prince is surprised and delighted by very substantial first collection from David Cameron

D A Prince finds the poems of Robert Etty to be very good company as they explore Lincolnshire’s landscape and introduce its people

D A Prince explores the latest collection by Millicent Borges Accardi and finds the poet an intriguingly elusive presence

D A Prince reviews a debut collection by Julie Hogg in which the poems have potential for performance as well as being successful on the page.

D A Prince discusses John Freeman’s direct and emotionally honest poetry

Reading Gail White’s collection makes D A Prince think again about some conventional assessments of ‘light’ verse