Many years after first reading the classic 1930s novel, Sarah Lawson decided to open the book again and write down her second impressions: Emma Lee considers that this re-appraisal was well worthwhile.
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Perspectives on Poetry: John Lucas examines three recent studies exploring the craft and ideas of three eminent poets .
Now best-known for writing the novel A Clockwork Orange, which Stanley Kubrick turned into the ultra-violent film of 1971, Anthony Burgess died on 22nd November 1993.
Jeremy Wikeley gives his reactions to the exhibition Larkinworld which is currently at the Poetry Library, Southbank Centre
Roger Caldwell reviews Ian Gordon‘s recent biography of the poet Anne Stevenson
I usually find middle-brow fiction quite consoling. So, I turned to my bookshelves in search of something not too literary in the hope of distraction from these troubled times. Colin, a supernatural tale, published in two parts by E.F. Benson in 1923, seemed to fit the bill.
Merryn Williams praises a new – but, sadly, posthumous – collection from Elizabeth Burns
Sarah Lawson plaintively asks the question: Why Don’t People Read Benito Cereno When I Tell Them To?
Merryn Williams admires the seemingly-inexhaustible poetic skill on show in a double collection from Ruth Bidgood
A spiritual autobiography by Murray Bodo turns out to be an unexpectedly down-to-earth story
A short review by Merryn Williams enters fully into the spirit of Jan Owen’s Baudelaire-based jeu d’esprit
To most Britons, P.G. Wodehouse is known as the creator of quaint, comic novels starring the blundering upper class twit Bertie Wooster and his astute valet Jeeves. He also contributed lyrics and stories to a wealth of musicals and his step great grandson, the opera singer Hal Cazalet, who as a child slept in a room beneath the Wodehouse archive, tells us he only got to know P.G. Wodehouse’s prose through the song lyrics.
By Barbara Lewis • music, performance, theatre, year 2017 • Tags: authors, Barbara Lewis, music, performance, theatre