St Michael and All Angels Church, Berwick: Should we be in need of a reminder, lockdown has provided it: our appreciation of a work of art can depend on experiencing it in the context for which it was created; the vacuum of an online viewing is no substitute.
architecture
Post-Virus Venice: More than looks. Venice is, to a majority of us, one of humanity’s most seductive achievements.
Tokyo: a bridge between tradition and modernity, by Carla Scarano D’Antonio. Compared to Kyoto, Tokyo is bigger, busier and cosmopolitan. My friend Ornella and I had plenty of time by ourselves as my daughter was busy with her course at the Bunka Gakuen University where she is attending a Master in Fashion and Design.
The Russian architect Berthold Lubetkin once declared “Nothing is too Good for Ordinary People”* and as a founder of the radical Tecton group he designed municipal housing which combined the creation of healthy spaces, where people could live healthy lives, with the expression of his modernist aesthetic.
A new municipal HQ for the Borough of Tower Hamlets is being built on the site of the old Royal London Hospital, and it’s due to open in 2022.
Stroll through the streets of Turin or look out from the city’s rattling trams and you’re confronted with wall after wall of windows framed by whatever architectural embellishments were fashionable at the time of construction, from the standard shutters of residential apartment blocks to ornate neo-classical gods and gargoyles on civic buildings.
Teatro Antica di Taormina. Review by Barbara Lewis. For more than two millennia, Taormina on Sicily’s eastern coast has laid claim to what you could say is the world’s most dramatic theatre in terms of its natural setting between Mount Etna and the sparkling Ionian Sea.
By Barbara Lewis • added recently on London Grip, architecture, history, theatre, travel • Tags: architecture, Barbara Lewis, history, theatre, travel