Poetry review – THE ADJUSTMENTS: Pat Edwards finds craft and imagination in Claire Dyer’s new collection
Poetry review – OPUS 1: Nicholas Bielby reflects on a substantial and highly original (but not entirely successful) collection by W D Jackson
THE BOOKSTORE BOOK: Charles Rammelkamp reviews a memoir in poetry and prose by Ron Kolm
Poetry review – LEAVING THE HILLS: Stuart Henson reviews Tony Curtis’s latest collection and reflects on many years of thoughtful, well-observed poetry
Open Wound. Review by Graham Buchan. Open Wound is Lee’s response to the annual commission to make an artwork to fill Tate Modern’s massive Turbine Hall.
Claude Cahun Exhibition. Review by Julia Pascal. This Hayward Touring exhibition is in collaboration with Jersey Heritage and was first presented at the Women of the World Festival 2015, Southbank Centre.
Poetry review – TAXONOMIC VIGNETTES: Henry Schneiderman finds Alan Cohen’s poems to be a powerful mix of frank autobiography and lively imagination
Poetry review – FROM THE EAST: Peter Ualrig Kennedy is impressed by the clever cadences of John Greening’s poetry in this volume
Poetry review – APPEAR TO DANCE: Charles Rammelkamp finds Linda Kleinbub’s poetic diary to be a powerful reminder of life amid the COVID pandemic
Poetry review – TIERCE: Rosie Johnston finds that Vaughan Pilikian’s poetry leaves room for the reader’s own speculations
One Small Step. Review by Barbara Lewis. Japan’s Umeda Arts Theater, based in Osaka, began collaborating with London’s Charing Cross Theatre in 2019. It’s now back after a break for the pandemic and then a joint venture with London’s Menier Chocolate Factory last year.
Tattooer. Review by Barbara Lewis. Love them or loathe them, tattoos have global appeal. But Japan’s version of permanently etching ink into the skin is culturally specific.
By Barbara Lewis • plays, theatre, year 2024 • Tags: Barbara Lewis, plays, theatre