Poetry review – JOURNEY INTO SPACE: Merryn Willams appreciates the nostalgic elements in Seán Street’s poetry
year 2022
Poetry review – MARTINI TATTOO: Charles Rammelkamp is susceptible to the charm of Elizabeth Cohen’s poetry
The Coral by Georg Kaiser. Review by Julia Pascal. The work explores the concept of the doppelganger and the fascination for the new science of psychiatry as well as interrogating capitalism itself.
Poetry review – FLAMINGO: Emma Storr is greatly impressed by a debut pamphlet from Kathryn Bevis
Poetry review – POSSIBLY A POMEGRANATE: Pat Edwards welcomes Alwyn Marriage’s new collection which is subtitled Celebrating Womankind
Poetry review – FEELING UNUSUAL: John Forth gets to grips with Ann Drysdale‘s vivid imagery and imagination
Poetry review – NEW AND SELECTED POEMS, 1966 -2020: Fred Johnston admires Donald Gardner’s well-crafted poetic chronicling of his times
Poetry review – GOLIAT: Pat Edwards is captivated by Rhiannon Hooson’s new collection
Dersu Uzala, Kurosawa. Review by Alan Price. Dersa Uzala is a minor Kurosawa film with three major virtues: outstanding photography, a direction finely tuned to nature and a wonderfully believable performance from the Tuva actor Maksim Munzuck playing Dersa.
Poetry review – THE BEAUTIFUL OPEN SKY: Rachael Clyne is impressed by a debut chapbook collection from Hannah Linden
An Anatomy of Melancholy. Review by Julia Pascal. This is one of the most extraordinary pieces of theatre that I have ever seen. The Pit is transformed into a laboratory with audience sitting in a circle watching the interplay between science, art, music, psychiatry and clinical analysis, in a concept that links the writings of Shakespeare’s contemporary, John Burton, with Freud and 2022 explorations into the mind.
By Julia Pascal • music, performance, theatre, year 2022 • Tags: Julia Pascal, music, performance, theatre