Four women and five men from Aberdeen University’s A Cappella Society Aberpella tell us they thought they were being terribly witty in choosing the title “50 Tones of Grey” as a reference to the shades of the sky and stone of their university city.
After studying literature and painting, Robert B. Sherman, the elder half of one of the world’s most prolific song-writing duos, set about writing the great American novel, while his younger brother Richard, who had studied music, was working on the great American symphony.
In a capitalist society, we’re nearly all hired hands, but the extent of the exploitation is more or less pernicious. Melvyn Bragg’s gritty, Northern, sweeping tale ultimately finds the best option for the ordinary man is to accept a pittance to work above ground rather than to toil in a futile World War I trench or in a narrow coal seam beneath the sea.
Art is at its most powerfully dramatic when it gives voice to the oppressed. By using the device of a play within a play to utmost effect, The Island communicates the oppression of a recent generation by drawing on tragic defiance from classical times.
Richard III manages to be at once resounding royal propaganda and an unsettling reminder of the fragility of the status quo given Elizabeth I’s lack of an heir: the Tudors had rescued the kingdom from the murderous House of York, but they hadn’t secured the future for long.
Northern Ireland’s permanent representation in Brussels periodically brings to the capital of Europe a sample of Northern Irish culture in a spirit of cross-cultural exchange that risks being disrupted in the event of a Brexit.
Romeo Castellucci at Brussels’ La Monnaie (De Munt in Dutch) opera house takes a real-life sufferer of locked-in syndrome and turns her into the protagonist of Ophee et Eurydice (adapted by Hector Berlioz from Gluck).