Rigoletto,
Composer: Verdi
Producer: Welsh National Opera
theatre
As You Like It is one of Shakespeare’s most crazy comedies and one of his most tedious plots.
I go to Russian theatre for the performances of actors whose skills are extraordinary. Theatre of Nations’ double bill did not disappoint.
Funny, reassuring and irrepressibly warm, the West End version of Only Fools and Horses is proving to be the right musical at the right time.
In his final decade, the Czech nationalist Janacek, found a new love interest and produced five major operas. The most accessible and refreshing is The Cunning Little Vixen (premiered in 1924), with its comic acceptance – like late Shakespeare – of the redemptive power of love and renewal, and its tragic awareness of the forces of raw nature and of life’s disappointments.
Marcus Brigstocke makes his play-writing and directorial debut as actors Bruce and Sam Alexander, father and son in real life, give drama and poignancy to a story that begins with the funeral of the father.
Opera and cabaret singer Melinda Hughes lost her mother in June. Two months on, she has immortalised her in a song and is finding catharsis in a satirical take on the world.
Don Carlo – or Don Carlos – in history was the mentally unstable son of Philip II of Spain whose brief betrothal to the woman his father later married and contacts with Protestant rebels in the Low Countries provided ammunition for the “black legend” propaganda whipped up by the opponents of his father’s rule.
Chilean singer-songwriter, poet, cult figure Violeta Parra’s most famous work “Gracias a la vida” can be viewed as an outpouring of gratitude – or as a suicide note.
Joy Wilkinson’s latest play tells the story of a troupe of fictional women fighters scrabbling to earn a living in the real-life world of lady’s boxing in Victorian London and become world champion.
The idea of this drama came from an interview with a Kurdish soldier who had fled to England seeking asylum.
A Pink Chair, Tadeusz Kantor, The Wooster Group. Review by Julia Pascal.
By Julia Pascal • performance, theatre, year 2019 • Tags: Julia Pascal, performance, theatre