Poetry Review – MEETING PLACES: Antony Johae reviews a recent collection by Sally Festing
year 2026
Poetry review – WINGING IT: Jennifer Johnson wonders if the laid-back title of Malcolm Carson’s collection belies the care with which it has been composed
Poetry review – A HANDFUL OF WASPS: Lucy Winrow views a year through Stuart Henson’s haiku sequence drawn from observations recorded in real time
. Poetry review – LILITH SPEAKS: Pam Thompson admires a short collection by Clare Proctor which manages to shift through many situations
Poetry review – SOME DISTANT PIN OF LIGHT: Peter Mladinic finds wonder and mystery in this collection by Francine Witte
Poetry review – ABOVE THE TREELINE: Chris Beckett feels welcomed into this well-crafted and multilayered collection by Nora Hughes
Poetry review – THINGS WE LEAVE BEHIND and MEN OF THE SAME NAME: Ian Pople reviews new collections by Josephine Balmer and Evan Jones
Poetry review – BACKLIT: Charles Rammelkamp reviews a prize-winning collection by Liz Robbins which explores the emotions and fears behind the anonymity of sex-workers
Poetry review – A HISTORY OF WESTERN MUSIC: Rosie Johnston is impressed by August Kleinzahler’s skill at conveying the experience of listening to music
The films of Frederick Wiseman. Review by Alan Price. Why has it taken me so long to get round to watching the films of Frederick Wiseman? Well that’s because of their physical media inaccessibility and rare screenings in the cinema (those enticing clips on YouTube were never enough).
Hamnet. Review by Graham Buchan. It is said to be awards-worthy, but here are reasons why Hamnet is an exceptionally bad film.
Poetry review –of an octopus: an archite|x|tural awareness of words: Charles Rammelkamp reviews an intriguing new collection by Diane Sahms
By Michael Bartholomew-Biggs • added recently on London Grip, books, poetry reviews, year 2026 • Tags: books, Charles Rammelkamp, poetry