For Wasfi Kani, the unstoppable founder of Grange Park Opera, even a pandemic is only a temporary setback. As soon as she had accepted this summer’s country house opera season at The Theatre in the Woods was lost, she set about mobilising the “pandemicists” and amassing funding for a Found season.
performance
U.S. folk musician Jay Ungar composed his Ashokan Farewell in 1982 shortly after violin and dance camps he had been running in Ashokan, New York state, ended for the season.
For those suffering withdrawal symptoms, Stay at Home with Crazy Coqs is providing a thrice-weekly fix on YouTube as some of its regular artists post recordings from their homes or reissue previous Crazy Coqs performances.
Brontë’s angry classic, which has for decades fired up rebellious, ambitious girls and women, has found new resonance in our self-isolating times as the National Theatre at Home allows another frustrated generation to ponder its lot.
While we are forced to spend almost all our time indoors in order to help us stay safe and healthy, many people are using the time to learn new skills. Now the trailblazing Oak Circus Centre along with internationally renowned Lost in Translation Circus are offering interactive online courses in circus skills that anyone can join in with.
Isadora Duncan (1877-1927) has been re-visioned by Viviana Durante in her new programme Don’t Let Them Tame You.
Stage Invasion: Angela Topping takes a close look at Pete Bearder’s guide to spoken word poetry and its differences from poetry for the page
Jason Kravits’ cabaret at Crazy Coqs is wildly funny. This singer-entertainer is so dynamic that I would suggest he be prescribed for those with the blues.
A Pink Chair, Tadeusz Kantor, The Wooster Group. Review by Julia Pascal.
Rigoletto,
Composer: Verdi
Producer: Welsh National Opera
One of the main reasons to stay in London in the summer is the Proms. I admit that I am in love with the Royal Albert Hall. There is something about sitting in this circular, wedding cake structure that has an effect on the psyche.
An unexpected joy of lockdown is seeing world-class performers in their natural habitats. Habitat is the apposite word for Simon Keenlyside, who read zoology at Cambridge before focusing on his operatic career and who describes a love of nature as “the marrow” of his existence. He looks to music for its validation.
By Barbara Lewis • music, opera, performance, year 2020 • Tags: Barbara Lewis, music, opera, performance