The Last Caravaggio. Review by Graham Buchan. Sometimes it is more rewarding to spend extended time with one great example of an artist’s work than to work through a whole exhibition. This is the opportunity being offered by the National Gallery’s free show The Last Caravaggio.
art
Poem-Object and Objective of the Poem: Lisa Kelly reflects on possible new interactions between word and material
Poetry review – GOD’S LITTLE ARTIST: Rosie Johnston considers Sue Hubbard’s perceptive and affectionate poetic biography of the painter Gwen John
Poetry review – TOOK MY WAY DOWN, LIKE A MESSENGER, TO THE DEEP: Edmund Prestwich admires the intricacy of Linda France’s sonnet sequence linking the paintings of Leonora Carrington with the experience of lockdown
Extérieurs. Review by Barbara Lewis. Annie Ernaux in 2022 became the first French woman to win the Nobel Prize for Literature after producing a body of work that charts her progress from working class origins, feelings of shame during her years being educated at private school that she was not sufficiently bourgeois, to her career as a teacher, then full-time writer.
John Craxton: A Modern Odyssey. Review by Barbara Lewis. John Craxton managed to emerge from school without passing a single exam, not even in art. Instead, charm, daring, connections, irrepressible talent and luck served him better than any merely formal qualifications.
St John’s Hospital in Bruges, dating from the 12th-century, has a history of healing focused on the soul rather than the body. By the time Hans Memling arrived in Bruges in the second half of the 15th-century, that meant the hospital had a clear role for the man who was described at the time of his death in 1494 as “the most accomplished and excellent painter of the whole Christian world”.
Ray Harryhausen: Special Edition Collection. Review by Alan Price. Ray’s unique imaginative insight into his beautifully made models is a great validation for the artistry of stop motion: one artist’s sole painstaking control over his creation – all those hours, in solitude, crafting the finally realised results.
Artist Descending a Typewriter. Review by Clare Morris. If you asked Michael Paul Hogan how to write a book on contemporary art, he would probably reply, ‘On a typewriter – a 1928 Royal Portable to be precise.’ In ‘Artist Descending a Typewriter: Nine Essays on Contemporary Art’, armed with the same typewriter, he takes us on a remarkable journey through the lives and creative output of an array of exciting contemporary artists.
The Avant-Garde in Georgia. Review by Barbara Lewis. Every two years, Belgium and neighbouring countries host Europalia, a four-month international arts festival to celebrate one country’s cultural heritage. Until early next year, the latest biennale focuses on Georgia, a resonant choice given the conflict nearby instigated by Russia.
ReClaim. Review by Barbara Lewis. A thought-provoking display of jewellery-cum-art that leaves us with a renewed awareness that recycling cannot reverse the harm we cause.
Expressionists – Kandinsky, Münter and The Blue Rider. Review by Graham Buchan. The Blue Rider was a diverse group of avant-garde artists from a variety of countries and backgrounds who gathered together in Munich pre-First World War to share their beliefs and enthusiasms.
By Graham Buchan • art, exhibitions, painting, year 2024 • Tags: art, exhibitions, Graham Buchan, painting