The Charterhouse garden tour. Review by Barbara Lewis. Mr Weeding was in 1795 the aptly named first recorded gardener at the Charterhouse – or at least that’s what Emily, one of the current team tells, with a straight face, the mixture of Londoners and tourists she is showing around.
architecture

Casa Balla. Review by Carla Scarano. Giacomo Balla was an Italian painter, who moved with his family to 39b, via Oslavia, near piazza Mazzini, in June 1929. Balla, his wife, Elisa, and his daughters, Luce and Elica, transformed the house into a work of art, a workshop of sorts in which he experimented with his futurist theories.

Post-Virus Venice: More than looks. Venice is, to a majority of us, one of humanity’s most seductive achievements.

Raphael: The exhibition was organised in collaboration with the Uffizi Galleries and acts as a flash-back to Raphael’s life and career. It starts from his sudden death in Rome five hundred years ago.

Tokyo: a bridge between tradition and modernity, by Carla Scarano D’Antonio. Compared to Kyoto, Tokyo is bigger, busier and cosmopolitan. My friend Ornella and I had plenty of time by ourselves as my daughter was busy with her course at the Bunka Gakuen University where she is attending a Master in Fashion and Design.

The Russian architect Berthold Lubetkin once declared “Nothing is too Good for Ordinary People”* and as a founder of the radical Tecton group he designed municipal housing which combined the creation of healthy spaces, where people could live healthy lives, with the expression of his modernist aesthetic.
Bartók in Space and Time. Review by Barbara Lewis. Brussels’ Centre for Fine Arts, known as the Bozar, was designed by Belgium’s most celebrated architect Victor Horta and completed in 1929. Eight years later, Bela Bartok composed his “Music for Strings, Percussion and Celesta”.
By Barbara Lewis • architecture, music, year 2025 • Tags: architecture, Barbara Lewis, music