We are delighted to announce Spectrum’s competition, The Spectrum Art Prize. This is a new national award which celebrates the exciting work produced by artists on the autistic spectrum.
D A Prince is intrigued by the methods and the outcome of a poet-artist collaboration between Judith Wilkinson and Ditty Doornbos
Wendy French is pleased to find that a themed anthology from Emma Press successfully does what it sets out to do
Displayed are elaborate composites, built up from paintings and photographs that eventually result in portraits at once convincingly human, alien and heartless.
This informal gallery, an integral part of the public area of UCH (Euston Road entrance), stages regular exhibitions, and deserves to be more widely known.
Between 1560 and 1630, Europe experienced the worst of a Little Ice Age characterised by long, cold winters. The cruel weather coincided with the most intensive period of witch hunts in history. Bruegel the elder, is credited with leading the way as Flemish and Dutch artists developed what is now the popular image of a witch, flying on a broomstick with her ragged hair streaming in the wind.
From stylised art nouveau temptresses to giant Tintin cartoons, Brussels has an established tradition of putting art on the outside of its buildings as well as inside. The capital’s newest gallery in a former brewery in Molenbeek – the neighbourhood notorious as a breeding ground of the Paris and Brussels terror attacks – captures that spirit.
Little known outside his native Norway, Astrup, a contemporary of Edvard Munch, was a talented painter and printmaker, and his skills are amply demonstrated in this atmospheric exhibition.
As if an extraordinary imagination for fantastic, unsettling monsters and a genius ahead of his time for sensitive, naturalistic depictions of ordinary people weren’t enough, Hieronymous Bosch also had a modern knack for successful branding.
An introduction to poetry comics edited by Chrissy Williams & Tom Humberstone turns out to be something of a revelation for Richie McCaffery
This is a thought provoking exhibition that aims to go beyond the surface of simply putting faces to the famous names. It suggests an art form that continues to find ways of revealing the self but also reveals the artist as a conduit for all human emotion.
When approached for an idea for an exhibition at Turner Contemporary, guest curator, Brian Dillon, editor of the arts magazine Cabinet, hit upon the concept of ‘curiosity’.