Extérieurs. Review by Barbara Lewis. Annie Ernaux in 2022 became the first French woman to win the Nobel Prize for Literature after producing a body of work that charts her progress from working class origins, feelings of shame during her years being educated at private school that she was not sufficiently bourgeois, to her career as a teacher, then full-time writer.
art
Ray Harryhausen: Special Edition Collection. Review by Alan Price. Ray’s unique imaginative insight into his beautifully made models is a great validation for the artistry of stop motion: one artist’s sole painstaking control over his creation – all those hours, in solitude, crafting the finally realised results.
Artist Descending a Typewriter. Review by Clare Morris. If you asked Michael Paul Hogan how to write a book on contemporary art, he would probably reply, ‘On a typewriter – a 1928 Royal Portable to be precise.’ In ‘Artist Descending a Typewriter: Nine Essays on Contemporary Art’, armed with the same typewriter, he takes us on a remarkable journey through the lives and creative output of an array of exciting contemporary artists.
CONFESSIONS OF A HIGHLAND ART DEALER: Kate Ashton reviews a memoir full of hope and persistence by Tony Davidson
Claudette Johnson’s exhibition Presence. Review by Jenny Vuglar. Johnson first came to attention in 1982 while a student at The Polytechnic Wolverhampton. Britain’s ‘black cultural renaissance’ began, not in the famous institutions of London but in the Polytechs of the north: Wolverhampton, Trent, Sunderland.
Poetry review – TOOK MY WAY DOWN, LIKE A MESSENGER, TO THE DEEP: Edmund Prestwich admires the intricacy of Linda France’s sonnet sequence linking the paintings of Leonora Carrington with the experience of lockdown
By Michael Bartholomew-Biggs • added recently on London Grip, art, books, poetry reviews, year 2024 0 • Tags: art, books, Edmund Prestwich, poetry