Poetry review – FROM DARKNESS TO LIGHT: Thomas Ovans admires Alwyn Marriage’s sequence of ekphrastic poems based on Christian artworks
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A Red that Sings. Review by Barbara Lewis. “The red that sings” is a phrase rooted in the intellectual atmosphere of the 19th-century when scientists first grappled with the concept of synaesthesia, and poets and painters seized on it as a heightened response to the anxiety and excitement of breathless social change.
Van Dyck, The European. Review by Barbara Lewis. A lack of evidence means art historians can only speculate about the relationship between Peter Paul Rubens and his most gifted pupil Anthony van Dyck (1599–1641).
Poetry review — CONVERSATIONS WITH MAGIC STONES: Sue Wallace-Shaddad admires how the techniques of writing and sculpture are related in Vivienne Tregenza’s collection inspired by the life & work of Barbara Hepworth
Michaelina Wautier. Review by Graham Buchan. How fantastic it is to have a substantial exhibition of a completely unknown artist; for that artist to be a woman who painted in the 1600’s; and for her work to be so assured, so accomplished and such a pleasure to experience.
Metamorphoses. Review by Barbara Lewis. The final word of Ovid’s “Metamorphoses” is “vivam”: I shall live. It was prophetic. More than any other poet, Ovid lives on as a muse to fine artists to this day.
Tracey Emin: A Second Life. Review by Graham Buchan. Art moves on and times change. But in the case of Tracey Emin, art is still relentlessly all about the artist. This massive retrospective show will surely attract the crowds and be discussed widely.
The Goldfinch, Birds, Art and Us. review by Barbara Lewis. Following a fit of remorse after a poor sparrow was killed because she caused 3.5 million dominoes that had been lined up for World Domino Day to topple over, the “Domino Sparrow”, minus the wing that was shot off, is immortalised and on display in the National History Museum in Rotterdam.
Poetry review – TOOK MY WAY DOWN, LIKE A MESSENGER, TO THE DEEP: Edmund Prestwich admires the intricacy of Linda France’s sonnet sequence linking the paintings of Leonora Carrington with the experience of lockdown
The Weight of Being. Review by Barbara Lewis. “Life is hard, that’s why no one survives” is the title of a work by Middlesborough-born artist Gordon Dalton.
Ultimately, even art is not a cure, but it can console, give meaning and even extend our lives. It’s true for us all to varying degrees.
Poetry review – FABRICS, FANCIES & FENS: Caroline Maldonado considers a diverse but consistently accessible collection by Gerald Killingworth
Connected Worlds of Bruges. Review by Barbara Lewis. As part of the constant flow of luminaries in and out of the cultural and commercial hub of 16th-century Bruges, Henry VIII sent Thomas More there in 1515 as part of a diplomatic mission to settle trade and financial disputes. His visit to Flanders was also when More began his classic work “Utopia”.
By Barbara Lewis • added recently on London Grip, art, art archive, books, exhibitions, history • Tags: art, art archive, Barbara Lewis, books, exhibitions, history