Millet: Life on the Land. Review by Graham Buchan. If you have read the classic book on English rural life, Ronald Blythe’s Akenfield, you will know that such a life, particularly before farming was mechanised, was one of unremitting hardship and poverty, and definitely not to be romanticised. The French painter Jean-François Millet rendered that sort of life in paint.
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The Très Riches Heures of Jean, Duke of Berry. Review by Barbara Lewis. The dazzling Gothic beauty of these miniatures and calendars foreshadowed the work of Jan van Eyck and other outstanding 15th-century Flemish painters.
Impressionist Paris. Review by Barbara Lewis. Impressionist Paris, A Panoramic View of Paris in French Impressionism. Published by Hannibal Books to coincide with the exhibition New Paris: From Monet to Morisot at the Kunstmuseum in the Hague until June 9
Poetry review – VISITING HOURS: Wendy French examines an unusual mix of poems and pictures by Michel & Gillie Robic, arising from an anxious time spent in hospital
Films. Review by Barbara Lewis. Antwerp-based drawer, ceramicist, installationist, and now film maker Rinus Van de Velde defines his work as “fictional autobiography”. To the core a studio artist, four white walls are, for him, liberating rather than constraining.
Medieval Women. Review by Barbara Lewis. Between 1100 and 1600, Europe had 20 reigning queens. It produced numerous women who turned to religion to escape female servitude and gain influence and others who offered practical common sense to relieve the often fatal trauma of childbirth.
Georgian art. Review by Barbara Lewis. Georgia is a country of less than 4 million inhabitants with a language its guides will tell you is unique. They might also mention that the word for hello “gamarjoba” comes from the word for victory.
LAST ON HIS FEET: JACK JOHNSON AND THE BATTLE OF THE CENTURY: Charles Rammelkamp reviews a shocking and powerful graphic novel by Youssef Daoudi & Adrian Matejka
Peter Doig, The Courtauld Gallery. Review by Barbara Lewis. Peter Doig never tries to create real spaces, only painted spaces, we learn at the beginning of the Courtauld’s exhibition of some of his most recent work, including paintings created since his move from Trinidad to London in 2021.
Spain and the Hispanic World. Review by Carla Scarano. We are lucky that the Hispanic Society Museum and Library in Upper Manhattan is closed for refurbishing so that the collection that the philanthropist Archer M. Huntington accumulated in the late 19th and early 20th centuries can travel the world on loan.
Pasolini Painter. Review by Carla Scarano. Pier Paolo Pasolini’s complex personality and multifaceted creativity are displayed in full at the exhibition Pasolini Pittore at Galleria d’Arte Moderna in Rome.
Nordic Noir. Review by Barbara Lewis. Beyond “The Scream,” Edvard Munch’s gift to art was his innovative approach to woodcuts, which involved cutting them into pieces so they could be coated in different colours and then putting them back together like a jigsaw.
By Barbara Lewis • added recently on London Grip, art, drawing, exhibitions • Tags: art, Barbara Lewis, drawing, exhibitions