Poetry review – SING ME DOWN FROM THE DARK: Sue Wallace-Shaddad reviews Alexandra Corrin-Tachibana’s poetic exploration of cross-cultural relationships
books
Poetry review – TITS ON THE MOON: Charles Rammelkamp reviews a selection of diverting poems by Dessa
Poetry review – UNBOTTLED: Emma Storr explores the mysteries outlined in the poems in Olivia Dawson’s pamphlet
Poetry review – AMUSING THE ANGELS: Charles Rammelkamp admires Stewart Florsheim’s skill at holding opposites in tension
THE WASTE LAND: A BIOGRAPHY OF A POEM: Edmund Prestwich admires the depth and scope of Matthew Hollis’s study of T S Eliot’s most famous work
Poetry review – BEAUTIFUL MONSTERS: Thomas Ovans examines Stuart Henson’s carefully curated cabinet of curiosities
Poetry review – MY HOLLYWOOD AND OTHER POEMS: P W Bridgman admires the humanity and discernment in this collection by Boris Dralyuk
Poetry review – SHELLING PEAS WITH MY GRANDMOTHER IN THE GORGIOLANDS: James Roderick Burns appreciates the atmospheric detail in an admirable first full collection by Sarah Wimbush
SOMETIME, IN A CHURCHYARD: Pat Edwards finds that the past is brought to life by a combination of Louise Warren’s poetry and Charlotte Harker’s drawings
Poetry review – THE KENTISH REBELLION: Rennie Halstead admires Robert Selby’s successful intermingling of history and poetry
Poetry review – THE LITTLE HOURS: Stuart Henson surveys a comprehensive “new & selected” from Hilary Llewellyn-Williams
Poetry review – NOTES ON THE WASTE LAND: Edmund Prestwich considers the relationship between Tim Dooley’s new sequence and the Eliot poem which inspired it
By Michael Bartholomew-Biggs • authors, books, poetry reviews, year 2022 0 • Tags: authors, books, Edmund Prestwich, poetry