The Last Caravaggio. Review by Graham Buchan. Sometimes it is more rewarding to spend extended time with one great example of an artist’s work than to work through a whole exhibition. This is the opportunity being offered by the National Gallery’s free show The Last Caravaggio.
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Poem-Object and Objective of the Poem: Lisa Kelly reflects on possible new interactions between word and material

Poetry review – GOD’S LITTLE ARTIST: Rosie Johnston considers Sue Hubbard’s perceptive and affectionate poetic biography of the painter Gwen John

Poetry review – TOOK MY WAY DOWN, LIKE A MESSENGER, TO THE DEEP: Edmund Prestwich admires the intricacy of Linda France’s sonnet sequence linking the paintings of Leonora Carrington with the experience of lockdown

Ray Harryhausen: Special Edition Collection. Review by Alan Price. Ray’s unique imaginative insight into his beautifully made models is a great validation for the artistry of stop motion: one artist’s sole painstaking control over his creation – all those hours, in solitude, crafting the finally realised results.

Artist Descending a Typewriter. Review by Clare Morris. If you asked Michael Paul Hogan how to write a book on contemporary art, he would probably reply, ‘On a typewriter – a 1928 Royal Portable to be precise.’ In ‘Artist Descending a Typewriter: Nine Essays on Contemporary Art’, armed with the same typewriter, he takes us on a remarkable journey through the lives and creative output of an array of exciting contemporary artists.
Expressionists – Kandinsky, Münter and The Blue Rider. Review by Graham Buchan. The Blue Rider was a diverse group of avant-garde artists from a variety of countries and backgrounds who gathered together in Munich pre-First World War to share their beliefs and enthusiasms.
By Graham Buchan • art, exhibitions, painting, year 2024 • Tags: art, exhibitions, Graham Buchan, painting