Poetry review – FRAGMENTS OF AN AMERICA (VOLUME II): Charles Rammelkamp finds both warmth and urgency in these state-of-the-nation poems by Chris McNally
Poetry review – DARLING BLUE: Rennie Halstead explores the strands within a narrative sequence by Sarah James
No Ghosts. Review by Barbara Lewis. Something is so wrong with contemporary life that even the ghosts have stopped haunting it – and yet “No Ghosts” is not so much about the supernatural, or the lack of it, as about the intensely emotional nature of human friendship in early adulthood.
Poetry review – FROM DARKNESS TO LIGHT: Thomas Ovans admires Alwyn Marriage’s sequence of ekphrastic poems based on Christian artworks
DON’T FORGET WE’RE HERE FOREVER: Michael Bartholomew-Biggs admires Lamorna Ash’s honest account of a spiritual exploration.
A GUIDE TO GETTING YOUR POETRY PUBLISHED: Thomas Ovans reviews a comprehensive instruction manual for new poets by Robin Houghton and notes that it can also be a useful refresher course for old hands
The Cars That Ate Paris. Review by Alan Price. An Australian horror, satirical black comedy containing elements of science fiction and fantasy played out like a thriller, with a Western parody sequence, are the makeup of this quirky seventies film from Peter Weir.
Poetry review – LOOSESTRIFE FOR PORCUPINES: Charles Rammelkamp admires a well-observed new collection by D. M. Gordon
Choreodrome; next steps. Review by Zoe Hewitt. The Place’s Choreodrome; next steps brought two emerging dance makers, Orla Hardie and Samara Langham, to the main theatre stage with new works developed through Choreodrome, the venue’s annual residency and commissioning programme.
Poetry review – DIS(ILLUSION): Ian Pople explores the complexities of Mario Martín Gijón’s distinctive poetic style
Poetry review – THE LAST CORINTHIANS: Emma Storr is glad to find that Matthew Paul’s poems of personal reminiscence are welcoming and inclusive for the general reader
The Criminal Life of Archibaldo de la Cruz. Review by Alan Price. The film’s Spanish title Ensayo de un crimen translates as Rehearsal for a Crime and could be viewed as a “rehearsal for a life” which in the case of the life of Archibaldo de la Cruz’s hasn’t achieved very much.
By Alan Price • film, year 2026 • Tags: Alan Price, film