Poetry review – SUMMER / BREAK: Colin Pink reviews a brave and insightful collection by Richie McCaffery
Crowning Glory: The Story of Tiaras. Review by Barbara Lewis. Tiaras have an honourable claim to star in Firle Place’s latest, multi-layered exhibition in the year Queen Elizabeth has marked her platinum jubilee.
Poetry review – FAULTLINES: Alex Josephy reviews a varied but well-integrated collection by Caroline Maldonado
Africa Fashion, V&A Museum. Review by Carla Scarano. A celebration of African creativity, pride and identity covering 20 countries and 45 designers and displaying more than 250 objects is showing in the ground-breaking exhibition at the V&A.
Poetry review – COUNTRY OF ARRIVAL: Wendy French is moved by Hubert Moore’s collection speaking for the displaced and persecuted
Poetry review – DOG DAYS: D A Prince explores a multi-layered collection by Julie Lumsden
Poetry review – EXTREMELY AGGRESSIVE UNEDUCATED & ROUGH: Carla Scarano examines a collection by Hannah Maria Stanislaus which is highly personal and rather out of the ordinary
* The Autumn 2022 issue of LONDON GRIP NEW POETRY features: *Michael W. Thomas *Hilary Mellon *Lisa Reily *Lesley Burt *Bruce Barnes *Anna Mioduchowska *Martin Bennett *Robert Cole *Alan Dunnett *Josh Ekroy * Sarah Lawson *Philip Dunkerley *Michael Caylo-Baradi *Maria C. McCarthy *Simon Alderwick *Pam Thompson *Judith Wozniak *Rustin Larson *Tony Dawson *Clifford Liles *Marilyn Ricci […]
Poetry review – THE PLEASURE OF FIRING BACK: Janice Dempsey considers the two contrasting halves of Graham Buchan’s new collection
50 of Tel Aviv’s Most Intriguing Streets. The Lives Behind the Names. Text by Miryam Sivan, Photographs by Ziv Koren. Curated by Ellin Yassky. Published by Gefen, Jerusalem & New York. Maror by Lavie Tidhar. Published by Head Zeus. Two book reviews with Israeli themes, by Julia Pascal.
Poetry review – WHAT THE SHEEP TAUGHT ME: Wendy Kyle considers Mary Mulholland’s debut pamphlet
Anne Teresa De Keersmaeker & Pavel Kolesnikov/Rosas/the Goldberg Variations. Review by Julia Pascal. The effect of the long solo dance, and the symbiosis with Kolesnikov’s delicate performance, stimulates a multitude of responses: intellectual, philosophical, and aesthetic. Or perhaps the work needs no reading at all: it can be experienced just as pure pleasure.
By Julia Pascal • dance, music, year 2022 • Tags: dance, Julia Pascal, music