Poetry review – THE GIDDINGS: Emma Storr reflects on a compact but dense historical sequence by John Greening
About Michael Bartholomew-Biggs
Posts by Michael Bartholomew-Biggs:
Rachael Smart reviews a collection of essays gathered around the subject of trauma
Poetry review – TRAVEL BY HAIKU: Charles Rammelkamp commends Marshall Deerfield’s efforts to compress a travelogue into a haiku sequence
Poetry review – POEMS TO NIGHT: Roger Caldwell reviews a new translation by Will Stone of some of Rilke’s less well-know poems
Poetry review – AT RISK: Rennie Halstead admires the way that Diana Cant has made poetry from her insights gained as a child psychotherapist
Poetry Review – THE LONG HABIT OF LIVING: Stephen Claughton admires the undiminished creativity on display in M R Peacocke’s new collection
HOUSMAN’S NAME AND NATURE OF POETRY: Andrew Keanie considers Michael Cullup’s study of Housman’s Leslie Stephen Lecture.
Poetry review – FEVERFEW: Jonathan Squirrell finds much to enjoy in a new collection by Anna Saunders
Poetry review – TYPICITY: D Ferrara admires the variety of tones in Colin Pink’s second collection
Poetry review – RESTORATIONS: Pamela Johnson examines a many-layered collection by Rosalind Hudis
Poetry review – AFTER HOPPER AND LANGE: Sue Wallace-Shaddad finds David Olsen’s ekphrastic poems are very evocative of the era portrayed by Dorothea Lange and Edward Hopper
by Michael Bartholomew-Biggs • books, poetry reviews, year 2021 • Tags: books, Kate Ashton, poetry • 0 Comments
Poetry review – KARAOKE KING: Kate Ashton admires the range and complexity of Dai George’s new collection