Jenny Vuglar visits the Winifred Nicholson exhibition Liberation of Colour currently at the Djanogly Art Gallery, Lakeside Arts, Nottingham (4 March – 4 June 2017)
Overlooked for centuries, her paintings were often wrongly attributed to her father, Orazio Gentileschi. In the same period her work sank to a level of obscurity equal to that one of her greatest influences, Caravaggio. His reputation was restored in the 1920’s. Artemisia Gentileschi had to wait a little longer.
We are delighted to announce Spectrum’s competition, The Spectrum Art Prize. This is a new national award which celebrates the exciting work produced by artists on the autistic spectrum.
Pablo Picasso (1881-1973) and Alberto Giacometti (1901-1966) were both sons of artists, both mastered realism at an early age, both left their native countries and both turned up in Paris, where they met for the first time in 1931 and enjoyed a working friendship that flourished until the 1950s.
In the 1930s, as he fled Nazi Germany, Einstein passed through the Belgian port of Ostend, en route to the United States, and met the painter James Ensor. He asked him what he painted, to which Ensor replied “nothing”.
In his essay Blood in the Matzos, Anthony Burgess called our need to classify art “a dangerous urge”. Burgess viewed the classifying urge as innate, but I believe people yield to it under the pressure to build careers, make money and forge reputations.
Rembrandt, one of the greatest portrait painters of all time, portrayed himself with a feathered beret, as an oriental potentate, with his wife in historical dress and simply as himself. A modern equivalent is British artist Sarah Lucas who depicts herself with fried eggs, a skull and a salmon. You could say it’s a case of the sublime to the ridiculous and yet, the appeal of Rembrandt’s theatre must have been more direct in his day even if it was never aggressive.
The Courtauld Gallery is showing an exhibition of Georgiana Houghton’s spirit drawings until 11th September. Houghton was active in London in the 1860’s and 1870’s as an artist and spirit medium.
Born to a well-to-do Antwerp businessman and his aristocratic wife, Fritz Mayer was groomed to become a diplomat, but instead threw himself into collecting with a particular passion for Dutch art of the 14th-16th centuries.
Displayed are elaborate composites, built up from paintings and photographs that eventually result in portraits at once convincingly human, alien and heartless.
If you don’t know Burgh House, Hampstead, you should. It’s a beautiful Queen Anne mansion with many original features that functions as a museum and arts centre. It also has a carefully planted garden and houses the Buttery Café, which has an ambience to my mind considerably more attractive than some of […]
Between 1560 and 1630, Europe experienced the worst of a Little Ice Age characterised by long, cold winters. The cruel weather coincided with the most intensive period of witch hunts in history. Bruegel the elder, is credited with leading the way as Flemish and Dutch artists developed what is now the popular image of a witch, flying on a broomstick with her ragged hair streaming in the wind.