We’ve all seen it a hundred times, identified with it and even messaged using an emoticon version of Edvard Munch’s skull-like face, clutched by hands raised in horror in a distorted, nightmarish world.
Barbara Lewis
If Brexit is the result of a backward-looking nostalgia, the Swinging London of the Chelsea Set was the opposite: it marked a determination to move on from the devastation and austerity left by World War II.
Almost exactly 100 years ago on April 13, in Amritsar, the British Indian Army fired into a crowd of unarmed Punjabis, killing and harming hundreds. Director Phil Wilmott marks this appalling example of man’s inhumanity to man by transporting Othello from Venice and Cyprus to the India of the British Raj.
Edvard Munch from next year will be displayed in a new aluminium tower that has divided local opinion as it changes the skyline near Oslo’s iceberg-like opera house on the waterfront.
Five hundred years ago, Peckham was green and pleasant. By the 1980s and 1990s, when two of its most famous fictional characters Del Boy and Rodney Trotter were plying their dodgy wares, even the pigeons wanted to be elsewhere, or so Rodney tells us.
Lucca, Italy, was the birthplace of Giacomo Puccini in 1858 in an apartment that is now a museum to the last and most famous of generations of Puccini maestros, restored to its Second Empire glory, down to a bed, surrounded by columns, that replicates the one in which Puccini was born.
Just as Keats’ elliptic “Beauty is truth, truth beauty” is comprehensible in context, the meaning of Che Walker’s “Time is Love/Tiempo es Amor” is made apparent by this superbly acted and eloquent 90 minutes of drama.
Tolstoy’s great, complex, genre-busting sprawl “War and Peace” is about many things, including Russian nationalism to the extent that when Hitler attacked the Soviet Union in 1941, Stalin reached for the work to promote a patriotic defence of the Motherland.
Domesday Book, William the Conqueror’s 1085 survey of his recently-won kingdom, merits an exhibition in its own right.
Any story-line involving a single woman is inherently more dramatic than a narrative of a single man because of biology’s cruel deadlines.
In 1933, Hitler became Chancellor of Germany. In the world of fashion, shoulders broadened and the iconic 1930s shape became established.
by Barbara Lewis • art, drawing, exhibitions, sculpture, year 2019 • Tags: art, Barbara Lewis, drawing, exhibitions, sculpture •
In the first exhibition to explore the evolution of Moore’s artistic obsession, the Wallace Collection brings together more than sixty sketches, drawings, maquettes and full-sized sculptures in plaster, lead and bronze, culminating in his seven Helmet Heads.