Poetry Review – HOTEL AMOUR: Sarah Leavesley finds this collection by Deryn Rees-Jones offers questions and images that are endlessly fascinating
Poetry review – GLANDSCAPES: Charles Rammelkamp reviews a grimly frank medical memoir-in-poems by Mickie Kennedy
LSO, Barbican. Review by Julia Pascal. What an amazing double bill the LSO offered for the start of its Barbican season under the direction Antonio Pappano: Aaron Copland’s Symphony No 3, with it haunting and thrilling Fanfare for the Common Man and Leonard Bernstein Symphony No 3 Kaddish.
Poetry review – HAUNT ME: Charles Rammelkamp considers José Enrique Medina’s unusual ways of dealing with grief and loss
Nosferatu, The Vampyre. Review by Alan Price. For me there are only four vampire films that can be called great. They are Nosferatu (Murnau, 1922), Nosferatu, The Vampyre (Herzog, 1979), Dracula (Badham, 1979) and Dracula (Fisher, 1958) that are both faithful and part loose adaptations of Bram Stoker’s novel Dracula. All are successful for different reasons.
Aguirre, The Wrath of God. Review by Alan Price. The on-location stories of Werner Herzog’s clashes with Klaus Kinski on Aguirre, The Wrath of God, have passed into cinematic legend. The most alarming being Kinski wanting to leave the film after Herzog refused to dismiss one of the technical crew, for at this point Herzog is supposed to have made Kinski act at gunpoint.
The Hidden Fortress. Review by Alan Price. The time is the 16th century. A period of civil wars. Princess Uki with her family and their clan gold are attempting to escape to a peaceful province. The enemy have posted up a reward for her capture. She’s accompanied by her General (Toshiro Mifune, who else could it be!) and two greedy and quarrelsome farmers. Onto this slight (almost formulaic) story Kurosawa has applied great craft and artistry.
Object Z. Review by Alan Price. Object Z is a SF rarity from 1965 that’s just been exhumed from the archive vaults and nicely restored. This six part serial of half hour episodes was screened in the children’s tea time slot, on Rediffusion TV, after its director Daphne Shadwell advised scriptwriter Christopher McMaster to aim for that audience.
By Alan Price • television, year 2025 • Tags: Alan Price, television