Poetry review – LANDSCAPE WITH MINES: Peter Ualrig Kennedy is moved by the strength and immediacy of Anna Bowles’ poetry in this impressive pamphlet.
year 2026
Poetry review –of an octopus: an archite|x|tural awareness of words: Charles Rammelkamp reviews an intriguing new collection by Diane Sahms
Poetry Review – MEETING PLACES: Antony Johae reviews a recent collection by Sally Festing
Poetry review – WINGING IT: Jennifer Johnson wonders if the laid-back title of Malcolm Carson’s collection belies the care with which it has been composed
A Grain of Sand. Review by Barbara Lewis. We tell stories when reality becomes unbearable. We may also tell them to remember those who have not lived to tell the tale. Both statements pertain to the one-woman show created by Elias Matar that deftly combines fabulous Palestinian myths with the horrors experienced as children live and die through war in Gaza.
Poetry review – A HANDFUL OF WASPS: Lucy Winrow views a year through Stuart Henson’s haiku sequence drawn from observations recorded in real time
. Poetry review – LILITH SPEAKS: Pam Thompson admires a short collection by Clare Proctor which manages to shift through many situations
Poetry review – SOME DISTANT PIN OF LIGHT: Peter Mladinic finds wonder and mystery in this collection by Francine Witte
Poetry review – ABOVE THE TREELINE: Chris Beckett feels welcomed into this well-crafted and multilayered collection by Nora Hughes
Poetry review – THINGS WE LEAVE BEHIND and MEN OF THE SAME NAME: Ian Pople reviews new collections by Josephine Balmer and Evan Jones
Poetry review – BACKLIT: Charles Rammelkamp reviews a prize-winning collection by Liz Robbins which explores the emotions and fears behind the anonymity of sex-workers
Strongroom. Review by Alan Price. With the BFI’s Strongroom and its extra film The Man in the Back Seat we have two powerful examples of terrifically tight story telling. Three crooks rob the strongroom of an airtight vault and lock the manager and his secretary inside. But it’s a bank holiday weekend and being there for three days means they will suffocate.
By Alan Price • film, year 2026 • Tags: Alan Price, film