Poetry review – THE BIG CALLS: Thomas Ovans is quick to admire Glyn Maxwell’s furious lament over the current state of England
year 2023
THE TREASURIES, POETRY ANTHOLOGIES AND THE MAKING OF BRITISH CULTURE: Kevin Saving considers Clare Bucknell’s study of the history of the British poetry anthology
Poetry review – ESCAPE ROOM: Sue Wallace-Shaddad considers Bryony Littlefair’s clever mixing of close observation and free-range imagination
LAST ON HIS FEET: JACK JOHNSON AND THE BATTLE OF THE CENTURY: Charles Rammelkamp reviews a shocking and powerful graphic novel by Youssef Daoudi & Adrian Matejka
THE WIFE OF WILLESDEN: Charles Rammelkamp takes a transatlantic look at Zadie Smith’s updating of Chaucer’s Wife of Bath
Poetry review – SANCTUARY: THERE MUST BE SOMEWHERE: Tim Murphy considers Angela Graham’s thought-provoking – and mildly collaborative – debut collection
Poetry review – BACK COUNTRY: Bill Jenkinson finds both craft and empathy strongly evident in Kathleen McPhilemy’s new collection
Poetry review – JOURNEYS ACROSS BREATH: Paul McDonald hopes that this collection of earlier poems by Stephen Watts will get the attention it deserves
Poetry review – SILVER SAMOVAR: Emma Storr is impressed by Jenny McRobert’s substantial debut collection
Poetry review – A POCKETFUL OF CHALK: Louise Warren is happy to accompany Claire Booker on a poetry walk through the Sussex countryside
Peter Doig, The Courtauld Gallery. Review by Barbara Lewis. Peter Doig never tries to create real spaces, only painted spaces, we learn at the beginning of the Courtauld’s exhibition of some of his most recent work, including paintings created since his move from Trinidad to London in 2021.
THINGS: Charles Rammelkamp reviews a flash fiction collection by Peter Cherches
By Michael Bartholomew-Biggs • books, fiction, year 2023 • Tags: books, Charles Rammelkamp, fiction